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Heretic of the infinite: Friedmann’s dynamic universe vs. the Stalinist machine

By Harsh Thakor* 
​When chronicling cosmological history, few explorations are as path-breaking, soul-stirring, or intellectually stimulating as those of Alexander Alexandrovich Friedmann (1888–1925). He possessed a mind of almost transcendental vision, encompassing mathematics, meteorology, and physics. Friedmann pioneered the equations governing cosmic expansion, only to perish at the age of 37, a victim of misdiagnosed typhoid fever. Last year, the scientific community commemorated the centenary of his passing on September 16, 1925. His life, though tragically short, orchestrated a revolution that eradicated the static cosmological paradigm and pioneered the concept of an evolving universe. One hundred years later, Friedmann’s voice resonates through the halls of research institutes and the pages of preprints; his equations are not relics, but living texts continually reformulated in light of new physics.
​Born and raised in Saint Petersburg, Friedmann studied mathematics at the city’s university, attending the seminars of Paul Ehrenfest. After graduating in 1910, he dedicated himself to mathematical physics applied to meteorology and aerodynamics. This practical foundation would later inform his cosmic perspectives. Following the outbreak of World War I in 1914, Friedmann served with the Russian air force as a ballistics instructor on the Austrian front, earning the Military Cross for his participation in reconnaissance flights. 
After the 1917 revolution, he obtained a professorship in Perm before returning to his hometown—renamed Petrograd—to direct the Geophysical Observatory. Even as he researched turbulence, he obsessed over General Relativity. Just a month before his death, he made a risky, record-breaking balloon flight to collect high-altitude data, a testament to his fearless pursuit of knowledge.
​It was after the war that Friedmann encountered Albert Einstein’s General Theory of Relativity, which describes gravity as the geometry of spacetime. Einstein’s 1917 paper applied this to the universe as a whole, but Einstein found the idea of a changing universe unthinkable. To maintain a static cosmos, Einstein famously added a "cosmological constant" (\Lambda) as a repulsive force. 
Friedmann accepted this new term but pointed out a radical alternative: the universe did not have to be frozen. He argued that Einstein’s static universe was merely a special case and that the cosmos could expand forever, contract to a point, or cycle through periods of growth and collapse.
​Based on Einstein’s own math, Friedmann composed a paper that diagnosed multiple possible histories of the universe. One possibility described a cosmic expansion starting from a singular point. In essence, even without the benefit of astronomical evidence, Friedmann had discovered the modern Big Bang theory. Where Einstein sought a testament to a universe at rest, Friedmann found a universe in motion. This represented a radical rupture from the eternal, unchanging cosmos of Newtonian and early Einsteinian inclinations.
​Friedmann was never just a pure mathematician. His deep appreciation for the relationship between equations and the atmosphere led him to believe that mathematics must represent physical reality. In his book, The World as Space and Time, he declared that physical bodies "interpret" the geometrical world, enabling scientists to test which mathematical model humans actually inhabit. When he obtained solutions to Einstein’s equations, he immediately sought their physical meanings, suggesting the universe could expand from a finite, smaller initial state.
​While his work initially languished in obscurity, it was resurrected in 1927 by Georges LemaĂ®tre, who independently reached similar conclusions. LemaĂ®tre’s "primeval atom" hypothesis—the precursor to the Big Bang—has direct origins in Friedmann’s expanding universe. It was LemaĂ®tre who eventually bridged Friedmann’s mathematics with Edwin Hubble’s observations, culminating in the empirical validation of cosmic expansion. Together, they replaced a static worldview with a cosmos born of fire and flux.
​Today, this legacy continues through advanced models like the Expanded Quantum String Theory with Gluonic Plasma (EQST-GP). This framework manifests a bold synthesis of quantum gravity and string theory, positing that the cosmological constant is not a fixed parameter but an emergent quantity modulated by higher-dimensional vacuum fluctuations. Friedmann implicitly wove together geometry and matter in a way that continues to guide the quest for a "Theory of Everything," a path later trod by Einstein, Edward Witten, and the pioneers of M-theory.
​However, Friedmann’s ideas faced severe political headwinds. From the 1930s to the 1950s, Soviet philosophers operating under strict Stalinist ideology rejected Friedmann’s solutions. They viewed the implication of a "beginning" to time as an "idealistic" attempt to revive theological "fairy tales." For decades, Friedmann's model was considered politically incorrect in the USSR because it contradicted the belief in an eternal, infinite material world. 
Stalinist cosmology demanded a universe with no space or time limits, branding the Big Bang as pseudo-scientific. Ironically, later Marxist thinkers would reclaim Friedmann, viewing the expanding universe as a confirmation of dialectical materialism—the idea that all matter is in a constant state of motion and evolution.
​As we anticipate the next century of discovery—with LISA poised to detect primordial gravitational waves and new telescopes peering into the dawn of time—we remember the St. Petersburg visionary. Friedmann understood that while the astronomical knowledge of his day was insufficient to choose between mathematical histories, the math itself was prescient. His papers reveal a mind conversing with the cosmos—the work of a poet of differential equations and an architect of spacetime. 
Friedmann’s equations remain the embodiment of a universe in flux, proving that neither the cosmos nor human understanding is ever truly static.
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*Freelance journalist 

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