As I was student of English literature for five long years (1970-75), doing my BA (Hons) and MA course from Delhi University, I (quite like my classmates) never read anything about a term towards which I was to become fascinated in late 1970s -- theatre of the absurd – apparently because it was a French concept. Coined by critic Martin Esslin in his 1960 essay "Theatre of the Absurd", at that time I had only vaguely knew that it pertained to post-World War II plays written by European playwrights. My curiosity for theatre of the absurd especially arose after I saw the Hindi adaptation of a French play by Samuel Backet, "Waiting for Godot" in a theatre in Mandi House, Delhi, where I used to see lots of plays. That was late 1970s. I was told it was one of the top plays which was considered part of the absurd genre. In this play, two characters wait for the arrival of someone named Godot, who represents the ethereal, the unknown, maybe a god. The Godot never arrives, e...