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The making of the Soviet hero: Ideology and conformity in Nikolai Ostrovsky’s world

By Harsh Thakor* 
Nikolai Ostrovsky was a Soviet author and political activist best known for his novel How the Steel Was Tempered, published between 1932 and 1934. His life reflected continuous struggle and resilience, echoing the experiences of the protagonists in his works.
Born in 1904 in the village of Viliya, in what is now Ukraine, Ostrovsky trained as a lawyer but soon became involved in the Bolshevik revolutionary movement. He joined the Red Army in 1919 during the civil war, serving as a junior political officer. Contracting typhus during his service, he was demobilized in 1926 due to ill health, which left him partially paralyzed.
Despite his physical limitations, Ostrovsky began his literary career and joined the Union of Soviet Writers in 1929. His first novel, How the Steel Was Tempered, drew from his personal experiences and early revolutionary activities. It told the story of Pavka Korchagin, a young Bolshevik who overcomes hardship and disability through perseverance and dedication to the Communist cause.
The novel became an immediate success, with its accessible language and optimistic tone appealing to Soviet readers. By 1934, it had been translated into more than 30 languages and sold over 15 million copies. The book became a defining work of early Soviet literature, emphasizing themes of collective spirit, self-discipline, optimism, and loyalty to the Communist Party.
Ostrovsky continued to write despite being almost completely paralyzed and blind, dictating his later works, including Born of the Storm and Rage of the Seas, to family members. Though his literary output was limited by illness, his work became central to the development of socialist realism — the officially endorsed literary method in the USSR that depicted idealized citizens devoted to the Party and the state.
Ostrovsky died in 1936 at a sanatorium in Sochi at the age of 32. After his death, he was honored across the Soviet Union, with numerous places and institutions named after him. His writing came to symbolize early revolutionary idealism and the moral ethos of Soviet society.
Ostrovsky’s work appeared alongside contributions from other revolutionary-era artists such as Velimir Khlebnikov, Marc Chagall, Kazimir Malevich, and El Lissitzky, who initially supported the Communist Revolution. Soviet literature during this period often reflected the idea of individuals being “forged” into new citizens through collective struggle — a recurring metaphor in Ostrovsky’s work.
How the Steel Was Tempered traces Pavel Korchagin’s transformation from an aimless youth into a dedicated revolutionary. Set against the backdrop of Tsarist Russia, the First World War, and the Civil War, the novel portrays both personal and social transformation. Pavel’s physical challenges and losses — including his health, family, and friends — become symbols of endurance and ideological commitment.
The novel exemplifies socialist realism, which sought to portray working-class life and revolutionary heroism in accessible, optimistic terms. It has been seen as both a reflection of its time and a key example of how literature was used to promote collective ideals and political education in early Soviet society.
At the same time, critics have noted the artistic limitations of the socialist realist approach. Characters such as Pavel Korchagin were often depicted as heroic archetypes rather than psychologically complex individuals. The emphasis on ideological conformity led to standardized character portrayals and recurring themes of sacrifice and party loyalty, which became hallmarks of Soviet literature during the Stalinist period.
Despite these criticisms, Ostrovsky’s novel remains a significant document of its era — a reflection of the revolutionary fervor, social transformation, and literary methods that shaped Soviet cultural history. Nearly a century after its publication, How the Steel Was Tempered continues to be studied for its historical context, its portrayal of human perseverance, and its enduring place in twentieth-century literature.
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*Freelance journalist 

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