Skip to main content

Dharmendra and the unspoken realities of Bollywood’s political forays

By Vidya Bhushan Rawat* 
Film star Dharmendra lived a remarkably full life. Unapologetically himself, he was known as a man with a generous heart who cherished people and often spoke of love as a guiding principle. His career began in the black-and-white era, where some of his earliest and most memorable performances captured the imagination of audiences across India. He openly idolised Dilip Kumar, whom he regarded as family, and never missed an opportunity to express his admiration for the legendary actor.
Dharmendra’s cinematic journey began with "Dil Bhi Tera Hum Bhi Tere" and went on to include a long list of celebrated films: "Shola Aur Shabnam", "Anpadh", "Ayi Milan Ki Bela", "Haqeeqat", "Purnima", "Kajal", "Mamta", "Devar", "Baharen Phir Ayengi", "Aye Din Bahar Ke", "Mere Humdum Mere Dost"—all of which gifted audiences unforgettable songs and stories. He later delivered critically appreciated performances in films such as "Satyakam", "Anupama", "Chupke Chupke", "Phool Aur Patthar", "Guddi", and many others. He was, in many ways, the quintessential people’s hero, particularly beloved by rural audiences.
Despite his immense popularity, Dharmendra was not always recognised as a “great actor” in the conventional critical sense. Yet his star appeal consistently transcended such labels. Alongside Hema Malini, he formed one of Indian cinema’s most adored on-screen and off-screen partnerships. Still, he wore his fame lightly and lived life on his own terms.
Though never politically inclined, Dharmendra joined the BJP and served as MP from Bikaner. His parliamentary performance was widely criticised, and he rarely participated in proceedings. Unlike some of his children, however, he never gravitated toward ideological extremism. At heart, he remained a romantic who loved Urdu poetry, ghazals, and shayari—an unfiltered man who enjoyed his evening whisky and never pretended otherwise.
Dharmendra leaves behind a vast and cherished legacy. He gave Indian cinema some of its most beloved films, and will be remembered as a star who embraced life fully and connected deeply with people.
As I have often said, we must avoid depending on film stars for political positions. Admire them for their craft—acting, singing, performing. Our celebrities often rely heavily on state patronage; their public stances shift with political winds. It is better for them to focus on their work rather than preach about national greatness. Dharmendra, after dabbling in politics, recognised that it was not for him and returned to what he truly cared about. In an industry filled with façades, he stood apart for his authenticity. Rooted in Punjab, he carried his pride in his heritage throughout his life. And yes, there is another man who left politics yet remains a larger political force than any active politician today—but I need not name him.
Dharmendra entertained generations and gifted us unforgettable cinema. A heartfelt salute to his memory.
---
*Human rights defender 

Comments

TRENDING

Sardar made up his mind on Pakistan in Dec 1946 "before" Mountbatten's Partition Plan

By Hari Desai* One has to be extra cautious while dealing with the history of towering personalities of the Indian freedom struggle, especially that of Sardar Vallabhbhai Patel (October 31, 1875 - December 15, 1950). Present-day politicians prefer to "pronounce” on his life and quote him according to their convenience like a blind person describing an elephant.

To Sonam Wangchuk: 'Will undertake 70 hour solidarity fast in Gujarat'

By Martin Macwan *  Dear Colleague Sonam Wangchuk, I have never met you personally. I wrote a short article at the time of your arrest. Your work correctly introduces you. There is truth in your words. You have embarked on a fast, following the footsteps of Gandhiji. Your intention is to make people think. Your demand is reasonable; I believe that the resignation of a single education minister will not improve the state of education in India. However, the question you have raised is extremely important for the future generation of the marginalized. Education is the key to power, development, and progress, which empowers a citizen.

Remembering Rampur ka Tiraha: State violence and the birth of Uttarakhand’s struggle

By Vidya Bhushan Rawat*  In the turbulent political landscape of the early 1990s, India witnessed events that reshaped its social and regional equations. After the Babri Masjid demolition in 1992, Uttar Pradesh politics shifted dramatically, bringing the Samajwadi Party–Bahujan Samaj Party coalition to power in 1993 under Mulayam Singh Yadav. But the partnership was uneasy. Mulayam was never entirely comfortable playing the “Mandal card.” While Kanshi Ram and the BSP had consistently demanded the implementation of the Mandal Commission recommendations, Mulayam hesitated, wary of how the move might play out.