A global Indian: How Irrfan Khan connected Hollywood and Bollywood

By Vikas Meshram*

was not merely an actor; he expanded the possibilities of performance in both Indian and world cinema, becoming a rare bridge between Hollywood and Bollywood. With an understated style and a deeply internalised craft, he brought global recognition to a distinctly Indian sensibility.

Born on 7 January 1967 in , as Sahabzada Irrfan Ali Khan, he came from a family with modest affluence—his father ran a successful tyre business, and his mother had links to a royal lineage. Yet, rather than inherit the family enterprise, Irrfan chose the uncertain path of acting. “No one had ever imagined that I would become an actor. I was very shy, very thin. But it was my heartfelt desire,” he once reflected.

In 1984, he secured admission to the —famously stretching the truth about his prior theatre experience. It was here that he met his future wife, , who would later recall his intense discipline and inward focus.

Like many actors of his generation, Irrfan’s early career unfolded on television. Through the late 1980s and 1990s, he worked across numerous serials on Zee and Star channels. Though the work was steady, it was not fulfilling; at one point, he even considered abandoning acting. A breakthrough came with his role in the television series Chandrakanta, where his character Bhadri gained widespread popularity.

His transition to cinema was equally challenging. He had a small role in Salaam Bombay!, directed by , which went on to receive an Academy Award nomination. However, it was the British-Indian film , directed by Asif Kapadia, that marked a turning point. Shot across the stark landscapes of Rajasthan and the Himalayas, the film won a BAFTA and announced Irrfan as a formidable talent on the global stage.

From there, his career accelerated. He worked consistently across industries, appearing in international projects such as , A Mighty Heart, The Darjeeling Limited, and Slumdog Millionaire, directed by Danny Boyle. Boyle once remarked that watching Irrfan act was a privilege in itself.

Unlike many actors who chase visibility, Irrfan became increasingly selective. “I try to do films whose impact lasts long,” he said, preferring stories that lingered in the mind and deepened with time. This philosophy found expression in films like , where his portrayal of Saajan Fernandes remains unforgettable.

His international presence grew with performances in , directed by , as well as in The Amazing Spider-Man and Jurassic World. Yet, he remained equally committed to Hindi cinema, delivering powerful performances in , Maqbool, Madaari, and Hindi Medium. Films like Piku and Karwaan further showcased his range and relatability.

For his contributions, Irrfan was honoured with the in 2011 and received the National Film Award for Best Actor for "Paan Singh Tomar". He also won the Filmfare Award for Best Actor for "Hindi Medium".

What set Irrfan apart was his philosophy of performance. Echoing the spirit of John Gielgud, he believed in spontaneity that was “carefully planned and ruthlessly controlled.” His acting was never demonstrative; it was immersive. He did not dominate roles but allowed them to evolve organically, creating space for audiences to interpret and internalise his characters.

With an unassuming screen presence and remarkably expressive eyes, he made complex roles feel accessible. Over three decades, he redefined what entertainment could mean in Hindi cinema—bridging the divide between art-house and mainstream, between parallel cinema and popular storytelling.

His global appeal lay in his rootedness. As he once said, “The more personal we are, the more grounded our films are, the more universal we become.” This belief guided his choices and resonated with audiences across cultures.

In 2018, Irrfan was diagnosed with a rare . Even in illness, he displayed remarkable courage, inspiring those around him with his resilience. He passed away on 29 April 2020, leaving behind a body of work that continues to move and influence audiences worldwide.

Irrfan Khan remains one of the finest actors of his generation—an artist who inhabited roles rather than performed them, who brought quiet intensity to the screen, and who connected worlds that often remain apart. His legacy is not just in the films he left behind, but in the new possibilities he opened for Indian actors on the global stage.

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*Independent writer

Neville Cardus: The man who turned cricket writing into poetry

By Harsh Thakor* Neville Cardus was one of the most remarkable literary figures of the twentieth century. A prolific English writer and critic, he achieved distinction in two vastly different fields: cricket and classical music. Entirely self-taught, Cardus rose from humble beginnings to become both the cricket correspondent and chief music critic of The Manchester Guardian . His achievements in these contrasting disciplines earned him widespread acclaim and established him as one of the foremost critics of his generation. In February 2025, the cricketing and literary world marked the fiftieth anniversary of his death, which occurred in February 1975.

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