Skip to main content

During Emergency, the ruler was extolled but Opposition wasn't punched around: Scribe

Anand K Sahay
By Rajiv Shah
A just-released book, “India: The Wrong Transition”, by a top Delhi-based scribe Anand K Sahay, has quoted “journalistic circles” to say that the Indian mainstream media – with certain “honourable exceptions” – has virtually abandoned the “practice of journalism”, and  this happened following a “sting operation” that showed that “the crème de la crème of Indian journalism were only too willing, for a suitable price, to let poisonous Hindutva propaganda prevail in their news columns.”
Calling this “mortifying”, Sahay, who has been in the profession since 1970s, occupying senior positions in dailies controlled by top media barons, and specializing in politics, governance and foreign policy, says, “If the media had stuck to its job, the Modi government is likely to have been running for cover.”
Published by Aakar Books, the book is a collection of Sahay’s 70-odd articles over the last five years (a dozen each on Kashmir and foreign and neighborhood policy, with emphasis on policy failures and lack of vision) in his monthly column ‘Far & Near’ in “Asian Age” and “Deccan Chronicle”, as also elsewhere, mostly about how under Prime Minister Narendra Modi’s government (2014-19) RSS-BJP’s “ideological underpinnings” shaped the government’s actions, and the “response these elicited within the political system.”
Pointing towards how, after 2014, the Congress – and the “idea of India” that it espoused and which is enshrined in our Constitution – seemed to be “no match for a rampaging RSS-BJP under the command of Modi”, Sahay insists, “Such was the scale of the support from a craven media, especially television”, that in opinion polls “routinely published on God knows what basis”, Modi was projected as “India’s most trusted leader, the safest pair of hands in the country to take us to glory”.
A media insider, Sahay, who has been president of the high-profile Press Club of India, argues, “It is, in fact, plausible to argue that, while the Modi government is no doubt a creature of RSS ideology and organisation, it may have found it difficult to establish itself if it weren’t for the fawning media, which was responsible for the building of the Modi persona.”
All this has happened, says Sahay, even as on social media, the Prime Minister has been “reported to ‘follow’ those with criminal intent who in the name of religion have plotted murder, and has not heeded calls to ‘unfollow’ these unsavoury types.” At the same time, “Armies of thousands of Hindutva thugs have been unleashed on social media in controlled fashion in order to intimidate critics of the regime, among them politicians and journalists.”
Noting that Modi has held not a single press conference during his term as Prime Minister, “a perverse record for a democracy”, Sahay says, “Even the outrage-causing president of US allows himself to be questioned by a hostile media every other day. However, the Prime Minister has a one-way communication running through his Mann Ki Baat talks over government radio and television.”
While Rahul Gandhi making “pointed references” in the Lok Sabha to not just the Rafale contract, but also to the sudden good fortune of Shah’s son, were “practically blanked out in the media”, Sahay recalls, fake news was propagated by none other than the Prime Minister himself – he accused his predecessor Manmohan Singh, former vice-president Hamid Ansari and a retired Army Chief of conspiring with Pakistan to have him defeated during Gujarat assembly polls in 2017.
Giving yet another example, Sahay says, recently, a book was published detailing how BJP produced propaganda on an industrial scale against political opponents and ideological antagonists, with its “most prominent target” being Rahul Gandhi. Authored a participant in the exercise “whose conscience began to prick and she defected”, the book “speaks of the massive effort that went into making the whole country believe for a long time that Gandhi was a ‘pappu’ – a duffer.”
According to Sahay, this was “sophisticated fake news meant to degrade a key opponent before battle is joined, in the spirit of the teachings of Sun Tzu, the Chinese strategist who taught that the enemy should be defeated before it takes the field.” Yet, this book was “practically ignored in the Indian media – no doubt out of fear of the ruling establishment – but was reported at length in the Guardian, a famous British newspaper.”
Further, when the Prime Minister was in Varanasi, his constituency, and over 1,000 Banaras Hindu University women students protested life under the regime, pointing to sexual violence, while Modi “had no time for them” even though they were “lathicharged”, the “friendly media looked the other way.”
Sahay insists, “The Indian media has caved in by and large, scared further by bullying searches by the CBI, the Enforcement Directorate or income-tax authorities. The media has fallen in line. Prominent television stations have been intimidated and the others are doing the needful. The newspapers have held out on the whole, but just about. They tread with caution. They spill out the propaganda on their front pages, and ask few questions.”
Asserting that during the Emergency years, “the ruler was extolled but the opposition was not punched around in the media and called names, leave alone on a steady basis”, Sahay says, today, “A particular channel has gained particular notoriety since the Modi sarkar was ushered in. Studio guests on the carefully prepared list go on a hunt each day, led by the especially obnoxious anchor.”
Even “a rival channel – a ‘sober’ one, which claims to give us news, not noise – has now joined the ranks of the faithful”, claims Sahay, citing the example of how it “dropped” an interview with P Chidambaram, who was finance minister in the last government, and before that the country’s home minister, and in both capacities a member of the Cabinet Committee on Security.
This situation has come about because, says Sahay, because “a number of news outlets these days are run by businessmen or politicians with a close nexus with the saffron party that is running the show.” The consequence is that “the Indian media today, or prominent sections of it in any case, arguably represents the worst in journalism for any democracy – being the least hard working, the least enlightening, the least questioning.”

Comments

Chamarthi Sadasiva said…
The period of emergency need to be reexamined in the light of Modi Raj. A deeper analysis from class and caste point of view is needed keeping in mind the then international situation and contradictions. No doubt, a difficult task. The outcome of such an approach may not suit even left that includes present leadership of CPI.

TRENDING

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Kolkata dialogue flags policy and finance deficit in wetland sustainability

By A Representative   Wetlands were the focus of India–Germany climate talks in Kolkata, where experts from government, business, and civil society stressed both their ecological importance and the urgent need for stronger conservation frameworks. 

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

Maoist activity in India: Weakening structures, 'shifts' in leadership, strategy and ideology

By Harsh Thakor*  Recent statements by government representatives have suggested that Maoism in India has been effectively eliminated, citing the weakening of central leadership and intensified security operations. These claims follow sustained counterinsurgency efforts across key regions, including central and eastern India. However, available information from security agencies and independent observers indicates that while the organizational structure of the CPI (Maoist) has been significantly disrupted, elements of the movement remain active. Reports acknowledge the continued presence of cadres in certain forested regions such as Bastar and parts of Dandakaranya, alongside smaller, decentralized units adapting their operational strategies.

46% own nothing, 1% own 18%: The truth about India’s land inequality

By Vikas Meshram *  “Agriculture is the backbone of India” — this is what we have been hearing for generations. But there is a pain hollowing out this backbone from within: the unequal distribution of land. On one hand, news of farmer suicides, indebtedness, and rural migration keeps coming; on the other, agricultural land across the country continues to concentrate in the hands of a few wealthy individuals.

From Manesar to Noida: Workers take to streets for bread, media looks away

By Sunil Kumar*   Across several states in India, a workers’ movement is gathering momentum. This is not a movement born of luxury or ambition, nor a demand for power-sharing within the state. At its core lies a stark and basic plea: the right to survive with dignity—adequate food, and wages sufficient to afford it.

US study links ultra-processed diets to preterm birth, sparks concern in India

By Jag Jivan   A growing body of scientific evidence linking ultra-processed food (UPF) consumption during pregnancy to adverse maternal and neonatal outcomes has sparked fresh concern among public health experts, with Indian nutrition advocates warning of serious implications for the country’s already strained maternal health landscape.

Midnight weeping: The sociology of tragic vision in Badri Narayan’s poetry

By Ravi Ranjan*  Badri Narayan, a distinguished Hindi poet and social scientist, occupies a unique position in contemporary Indian intellectual life by bridging the worlds of creative literature and critical social inquiry. His poetic journey began significantly with the 1993 collection 'Saca Sune Hue Kaï Dina Hue' (Truth Heard Many Days Ago). As a social historian and cultural anthropologist, Narayan pioneered a methodological shift away from elite archives toward the oral traditions and folk myths of marginalized communities. He eventually legitimized "folk-ethnography" as a rigorous academic discipline during his tenure as Director of the G.B. Pant Social Science Institute.