Skip to main content

India's actual Covid death rate about 2500 per million, third highest in world: Study

 
By Rajiv Shah 
There is now well-researched proof, if it can be called that, indicating that the Government of India may have fudged data to show lower Covid death rate. A new paper, published in “Science”, has said that while officially the Government of India’s Covid-related death estimates as of January 1, 2022 – 345 per million population – are one-seventh of the US death rate, the actual analysis of crude death rate in India suggests, this may be a gross underestimation. 
In fact, massive “misclassification of deaths” by showing Covid deaths as non-Covid, suggest the paper, “Covid mortality in India: National survey data and health facility deaths”, authored 11 scholars, led by Prabhat Jha of the University of Toronto, Canada, and consisting of an Indian Institute of Management-Ahmedabad (IIM-A) faculty Chinmay Tumbe. 
The authors of the paper estimate that India’s actual Covid-related deaths were in the range of about 2,300 to 2,500 per million, or approximately 6- to 7-fold the officially reported rate on September 1, 2021. “This would put India’s death rate per million population just below the range reported in Brazil (2800/million) or Colombia (2500/million), where registration of deaths is far more complete”, the authors say, adding, “The actual excess deaths in the facilities may be larger as the Government of India has yet to release these data from June 2021 onward”.
Adopting a complex methodology, based on “mortality reported in a nationally representative telephone survey conducted by CVoter” (which the authors qualify “established, independent, private polling agency”, data sources from public hospitals and smaller facilities, and the Census of India’s Civil Registration System (CSR), the authors say, “The majority of Covid deaths India experienced throughout the pandemic occurred from April 1 to July 1, 2021 (2.7 million).”
Covid-related deaths across States
In fact, according to them, “The crude death rate … more than doubled in 2021 compared to 2019… Much of this excess occurred in April-May 2021 (0.45 million or 71%), reaching a 120% increase over earlier year totals. The increase in deaths in the first viral wave was predominantly urban, but deaths in the second wave affected both urban and rural facilities.”
India’s death rate per million was just below the range reported in Brazil (2800/million) or Colombia (2500/million)
The authors continue, compared to 2018-19 totals, the increase in all-cause deaths in April-May 2021 varied across states, with Gujarat reporting a 230% increase – the highest among ten States for which data were available and analysed – and Kerala the lowest, having a 37% increase. They add, “Total excess all-cause deaths were 1.25 million for the ten States that reported about half of national official Covid deaths.”
Underlining that the “actual excess deaths in the facilities may be larger as the Government of India has yet to release these data from June 2021 onward”, the authors say, “Both the 2020 and 2021 viral waves were characterized by widespread (and, for 2021, mostly uncontrolled) multigenerational transmission of the virus within households, with high levels of antibodies detected.”
The authors state, “India’s significantly higher Covid death rate in 2021 compared to the lower than expected death rate in 2020 requires further research. The spread of infection to rural areas in 2021 is one factor, but there might also be differences in the pathogenicity between the original virus (Wuhan) in 2020 and the mix of alpha and delta variants accounting for most of the 2021 viral wave.”
They add, “Similarly, tracking death rates will be essential to understanding the effects of the Omicron wave currently underway in India, or future viral variants.”

Comments

TRENDING

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Manufacturing, services: India's low-skill, middle-skill labour remains underemployed

By Francis Kuriakose* The Indian economy was in a state of deceleration well before Covid-19 made its impact in early 2020. This can be inferred from the declining trends of four important macroeconomic variables that indicate the health of the economy in the last quarter of 2019.

Incarceration of Prof Saibaba 'revives' the question: What is crime, who is criminal?

By Kunal Pant* In 2016, a Supreme Court Judge asked the state of Maharashtra, “Do you want to extract a pound of flesh?” The statement was directed against the state for contesting the bail plea of Delhi University Professor GN Saibaba. Saibaba was arrested in 2014, a justification for which was to prevent him from committing what the police called “anti-national activities.”

Food security? Gujarat govt puts more than 5 lakh ration cards in the 'silent' category

By Pankti Jog* A new statistical report uploaded by the Gujarat government on the national food security portal shows that ensuring food security for the marginalized community is still not a priority of the state. The statistical report, uploaded on December 24, highlights many weaknesses in implementing the National Food Security Act (NFSA) in state.

Why Indo-Pak relations have been on 'knife’s edge' , hostilities may remain for long

By Utkarsh Bajpai*  The past few decades have seen strides being made in all aspects of life – from sticks and stones to weaponry. The extreme case of this phenomenon has been nuclear weapons. The menace caused by nuclear weapons in the past is unforgettable. Images of Hiroshima and Nagasaki from 1945 come to mind, after the United States dropped two atomic bombs on the cities.

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

'Batteries now cheap enough for solar to meet India's 90% demand': Expert quotes Ember study

By A Representative   Shankar Sharma, Power & Climate Policy Analyst, has urged India’s top policymakers to reconsider the financial and ecological implications of the country’s energy transition strategy in light of recent global developments. In a letter dated April 10, 2026, addressed to the Union Ministers of Finance, Power, New & Renewable Energy, Environment, Forest & Climate Change, and the Vice Chair of NITI Aayog, with a copy to the Prime Minister, Sharma highlighted concerns over India’s ambitious plans for coal gasification and the Prototype Fast Breeder Reactor (PFBR).

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...

50 years of the Port of Spain miracle: The chase that redefined Indian cricket

By Harsh Thakor*  Fifty years ago, India turned the tide to rewrite cricket history, rising from the depths of despair to a moment of enduring glory. Queen’s Park Oval in Port of Spain, Trinidad, is celebrated among cricket grounds for its poetic beauty. For India, it became a theatre of historic triumph. In 1976, it showed the cricketing world what it was made of.