Skip to main content

Delhi's 75% urban Hindu women practice ghughat; it's 90% in Rajasthan and UP

By Rajiv Shah
While the Narendra Modi government may want to fight gender inequality by passing the triple talaq bill in the Lok Sahba, a recent study has revealed that Delhi’s 75% of young Hindu women in the group 18-25 practice ghunghat. Based on high profile Social Attitude Research, India (SARI) survey, the study also finds that, in this young age, whopping 98% women in rural Rajasthan, 90% in urban Rajasthan, and 91% in rural Uttar Pradesh, and 90% in urban Uttar Pradesh practice ghughat.
The SARI survey was carried out in 2016 by the Center for the Advanced Study of India (CASI), University of Pennsylvania. Its results have been published in November 2017 as a paper by the Research Institute for Compassionate Economics (RICE), “Explicit prejudice: Evidence from a new survey”, authored by Diane Coffey, Payal Hathi, Nidhi Khurana and Amit Thorat.
The study claims, it is a “representative” sample of adults in Delhi, Rajasthan and Uttar Pradesh, and SARI “dataset is unique”. Done by “using low-cost phone survey methods”, responses from 753 men and 658 women were sought in Delhi, as against 791 men and 808 women in Uttar Pradesh, and 1611 men and 1749 women in in Rajasthan . Between 18% and and 29% respondents agreed to be interviewed.
Calling ghunghat as one of the three indicators of “prejudice against women”, the study says, the other two SARI captured were on whether respondents think women should not work outside the home, and whether men eat meals first.
The study defines ghunghat as the “practice of women veiling their heads or faces with the end of a sari or a dupatta”, insisting it “reinforcing women’s unequal position in families and in society”, agreeing that ghunghat has “a different social meaning than pardah, the practice of women’s seclusion common in Muslim households.”
However, it underscores, “Hindu women who do not practice ghunghat report having say in more decisions related to their own lives than women who do”, with women who do not practice ghunghat are “12 percentage points more likely” to report having at least some say in household decision making.”
Providing age-wise breakup in Delhi, Rajasthan and Uttar Pradesh, the study says, “Although urban areas show some age gradient in the practice, rural areas show little, and overall the age gradient is less steep than we expected. This may be because ghunghat can be practiced more or less intensely.”
Refusing to identify age-wise intensity of ghunghat according to age, the study says, while a “younger woman might practice ghunghat by covering her whole face, while an older woman covers only her hair, our data do not capture these differences.”
Claiming that the SARI survey results are similar to those of the “nationally representative 2011 India Human Development Survey (IHDS)”, which was carried out in 2011, the study says, “There is also less of a difference in the percent of women who practice ghunghat between rural and urban areas than we expected, though again, we have not measured the intensity of the practice.”
Providing data for other age groups, the study says, 63% of Delhi women in the age group 26-40 and 44% in the age group 41-60 practice ghughat. The respective percentage for rural Rajasthan is 99 and 89; and for urban Rajasthan it is 89 and 84. As for rural Uttar Pradesh, 94% and 93% women in the age groups 26-40 and 41-60 respectively practice ghughat, and in urban Uttar Pradesh, the percentage is 63 and 39 respectively.

Comments

Uma said…
Wonder if we ever get UCC this and other archaic practices will be done away with.
raul2407 said…
While majority of Muslim women in India are married before they are adult, 99% of them are forced to wear Burqa/Hijab, Some foreign funded leftists are busy in targeting Hindu women on 'Ghunghat', Look at their targeted agenda.
Anonymous said…
Government is busy in vilification a community and the evil supporters spreading the hatred against a community while themselves living in a such a social backwardness and bearing unholy lows

TRENDING

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Kolkata dialogue flags policy and finance deficit in wetland sustainability

By A Representative   Wetlands were the focus of India–Germany climate talks in Kolkata, where experts from government, business, and civil society stressed both their ecological importance and the urgent need for stronger conservation frameworks. 

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

Maoist activity in India: Weakening structures, 'shifts' in leadership, strategy and ideology

By Harsh Thakor*  Recent statements by government representatives have suggested that Maoism in India has been effectively eliminated, citing the weakening of central leadership and intensified security operations. These claims follow sustained counterinsurgency efforts across key regions, including central and eastern India. However, available information from security agencies and independent observers indicates that while the organizational structure of the CPI (Maoist) has been significantly disrupted, elements of the movement remain active. Reports acknowledge the continued presence of cadres in certain forested regions such as Bastar and parts of Dandakaranya, alongside smaller, decentralized units adapting their operational strategies.

46% own nothing, 1% own 18%: The truth about India’s land inequality

By Vikas Meshram *  “Agriculture is the backbone of India” — this is what we have been hearing for generations. But there is a pain hollowing out this backbone from within: the unequal distribution of land. On one hand, news of farmer suicides, indebtedness, and rural migration keeps coming; on the other, agricultural land across the country continues to concentrate in the hands of a few wealthy individuals.

US study links ultra-processed diets to preterm birth, sparks concern in India

By Jag Jivan   A growing body of scientific evidence linking ultra-processed food (UPF) consumption during pregnancy to adverse maternal and neonatal outcomes has sparked fresh concern among public health experts, with Indian nutrition advocates warning of serious implications for the country’s already strained maternal health landscape.

From Manesar to Noida: Workers take to streets for bread, media looks away

By Sunil Kumar*   Across several states in India, a workers’ movement is gathering momentum. This is not a movement born of luxury or ambition, nor a demand for power-sharing within the state. At its core lies a stark and basic plea: the right to survive with dignity—adequate food, and wages sufficient to afford it.

Midnight weeping: The sociology of tragic vision in Badri Narayan’s poetry

By Ravi Ranjan*  Badri Narayan, a distinguished Hindi poet and social scientist, occupies a unique position in contemporary Indian intellectual life by bridging the worlds of creative literature and critical social inquiry. His poetic journey began significantly with the 1993 collection 'Saca Sune Hue Kaï Dina Hue' (Truth Heard Many Days Ago). As a social historian and cultural anthropologist, Narayan pioneered a methodological shift away from elite archives toward the oral traditions and folk myths of marginalized communities. He eventually legitimized "folk-ethnography" as a rigorous academic discipline during his tenure as Director of the G.B. Pant Social Science Institute.