Skip to main content

Muharram: Sufi saints, Shia ulema encouraged merger from indigenous heritage


By Firoz Bakht Ahmed*
What is very heartening is that most of the religious festivals in India have become cosmopolitan in nature despite being harmoniously glued to their roots. Quite spiritedly, fervently and emotionally like the Ramlila, Muharram in India observes the victory of virtue over evil. It commemorates the martyrdom of Hussain, the younger grandson of Prophet Mohammed. Muharram, every year, reminds us of the most treacherous, heart-rending, testing and cruel time faced by Hazrat Imam Hussain owing to the tyrannical ways of Muawiyah and his son Yazeed.
Muharram’s message and moral are the same as in how the virtuous Lord Rama fought against the tyrannical Ravana, the only difference being that Hussain was martyred while Rama slew Ravana. Etchings by Italian artist Bruno Cabrini show how Muharram processions had tazias (mausoleum like artifacts) in the shape of rathas (chariots) during the 18th and 19th centuries in Rajasthan, Gujarat and Maharashtra.
Even the Scindia rulers of Baroda and the Holkars of Indore conducted majlis (Muharram congregation). In Lucknow even today, Hindus join Muslims in mourning sessions. Most Hindus greet these Muharram alams (processions) reverently just like they receive Ramlila processions, as the passing-by of a holy memory. Indeed Varanasi, the heart of Hinduism, has a mixed tradition of observing Muharram: many Hindu families participate with their Muslim brethren by fasting that day.
In India it has been revered by all the communities, especially the Hindu communities dwelling in Varanasi, Lucknaw, Allahabad, Amroha, Indore, Nagpur, Jaipur, Phagwara in Punjab, Bhopal and Kanpur. First thing to be remembered about Muharram is that it is not a festival and is not to be celebrated with fanfare rather it is to be observed with solemnity as it is a day of mourning. It was on the 10th day of Muharram that Hazrat Imam Hussain with many members of his family and 72 others, was brutally killed in public by Muawiah, the ruler of the day in Syria.
That’s why in Muharram processions, Shias beat their chests, heads and backs with sharp metallic chains and recite elegies called marsiyas to recreate the physical torture and mental anguish of Imam Hussain and his followers. Yet, these self-inflicted wounds miraculously heal without medication. Our Sufi saints and Shi’ite ulema encouraged the merging of indigenous elements from the rich cultural heritage of India in their followers’ practice of Islam.
That’s why our Muharram is like nowhere else in the world, conveying both the message of peaceful co-existence and of not yielding to the authority of those who unjustly have an upper hand on things.

*Chancellor, Maulana Azad National Urdu University Hyderabad, grandnephew, Maulana Azad

Comments

TRENDING

Neville Cardus: The man who turned cricket writing into poetry

By Harsh Thakor*  Neville Cardus was one of the most remarkable literary figures of the twentieth century. A prolific English writer and critic, he achieved distinction in two vastly different fields: cricket and classical music. Entirely self-taught, Cardus rose from humble beginnings to become both the cricket correspondent and chief music critic of The Manchester Guardian . His achievements in these contrasting disciplines earned him widespread acclaim and established him as one of the foremost critics of his generation. In February 2025, the cricketing and literary world marked the fiftieth anniversary of his death, which occurred in February 1975.

Swami Vivekananda's views on caste and sexuality were 'painfully' regressive

By Bhaskar Sur* Swami Vivekananda now belongs more to the modern Hindu mythology than reality. It makes a daunting job to discover the real human being who knew unemployment, humiliation of losing a teaching job for 'incompetence', longed in vain for the bliss of a happy conjugal life only to suffer the consequent frustration.

The politics of dreaming: Savita Singh's feminist imagination

By Ravi Ranjan*  In contemporary Hindi poetry, few voices have explored the philosophical and creative possibilities of women's experience as powerfully as Savita Singh. Across collections such as "Svapna Samay" (Dream Time), Aapne Jaisa Jeevan, and "Prem Bhi Ek Yatana" Hai, she has developed a poetic world in which woman is not merely a subject of suffering or social commentary but a creator of knowledge, meaning, and alternative realities.