Skip to main content

The politics of provocation: Pigs, symbols, and the new grammar of hate

By Ram Puniyani* 
In Delhi’s Tri Nagar, some Hindu families appear to have embraced a new form of devotion—and a way to deter Muslim neighbours—by keeping pigs as pets. The animals are kept in cages at homes, while the walls display posters of a powerful, pig-faced deity in jewellery, much like other gods.
This phenomenon has reportedly emerged in areas adjacent to Muslim localities. In some instances, the pigs are given Muslim names such as Abdul or Rahman, and these names are shouted aloud when Muslim passersby go by. Alongside this, there are images of Lord Varaha, the third incarnation of Lord Vishnu, depicted in ornate and martial iconography.
While some claim this trend began about a year ago, others suggest it is more recent. The aversion to pigs within sections of the Muslim community is widely known, and such practices appear designed to provoke. Historically, such symbolic provocations have often preceded the deepening of communal divides.
It remains unclear who initiated this practice or whether it is confined to a few localities in Delhi. However, the concern is that it could spread, adding another method to the repertoire of divisive politics. In a global context, Islamophobia has grown significantly after the events of 9/11, often reinforced by sections of media discourse. A somewhat comparable incident was reported in New York, where supporters aligned with right-wing politics organised a pig roast outside the office of Mayor Zohran Mamdani. Such actions, however, are frequently based on misunderstandings; dietary practices or the keeping of animals by others do not inherently affect Muslim communities.
In India, communal tensions have often revolved around symbolic issues. In recent years, the cow has been central to such conflicts. Earlier, during the colonial period and the freedom struggle, both cow and pig were used as instruments of provocation by communal forces. The television adaptation of “Tamas”, directed by Govind Nihalani and based on Bhisham Sahni’s novel, illustrates how the killing of a pig and its placement at a religious site was used to incite violence for political gain.
More recently, there have been instances where attempts were made to instigate tensions through acts such as placing beef in temples. In some cases, individuals associated with extremist groups have been arrested for such acts, including efforts to falsely implicate members of other communities. At the same time, vigilante violence around cattle transport has become a recurring issue, with several reported incidents over the past decade.
Mob lynching has emerged as a particularly disturbing phenomenon in this context. Cases such as those of Pehlu Khan and Junaid Khan have drawn national attention to the dangers posed by vigilante actions fueled by communal suspicion. These incidents underline the human cost of sustained polarisation.
A broader concern is the manner in which divisive narratives are created and disseminated. Political rhetoric, at times, has contributed to sharpening community identities in adversarial ways. Statements from leaders across the political spectrum have, on occasion, reinforced polarisation rather than diffusing tensions.
The reported introduction of pigs, symbolically linked to Lord Varaha, into contemporary communal politics reflects the capacity of divisive forces to evolve new methods of provocation. This development raises concerns about the erosion of India’s syncretic traditions, often described as the Ganga-Jamuni tehzeeb. Increasing social distance between communities, including residential segregation, has already been noted in several regions.
Individuals are free to practice their faith and make personal choices, including the keeping of animals. However, when such choices are framed or deployed in ways that may be perceived as targeting or humiliating others, they risk exacerbating tensions. It is important to recognise these patterns early and address them through dialogue, legal safeguards, and a reaffirmation of shared civic values.
The symbolism of Lord Varaha in Hindu tradition is that of a saviour. Its invocation in contemporary contexts marked by division may carry implications that run counter to that legacy.
---
*Political commentator

Comments

TRENDING

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

'Batteries now cheap enough for solar to meet India's 90% demand': Expert quotes Ember study

By A Representative   Shankar Sharma, Power & Climate Policy Analyst, has urged India’s top policymakers to reconsider the financial and ecological implications of the country’s energy transition strategy in light of recent global developments. In a letter dated April 10, 2026, addressed to the Union Ministers of Finance, Power, New & Renewable Energy, Environment, Forest & Climate Change, and the Vice Chair of NITI Aayog, with a copy to the Prime Minister, Sharma highlighted concerns over India’s ambitious plans for coal gasification and the Prototype Fast Breeder Reactor (PFBR).

Manufacturing, services: India's low-skill, middle-skill labour remains underemployed

By Francis Kuriakose* The Indian economy was in a state of deceleration well before Covid-19 made its impact in early 2020. This can be inferred from the declining trends of four important macroeconomic variables that indicate the health of the economy in the last quarter of 2019.

Incarceration of Prof Saibaba 'revives' the question: What is crime, who is criminal?

By Kunal Pant* In 2016, a Supreme Court Judge asked the state of Maharashtra, “Do you want to extract a pound of flesh?” The statement was directed against the state for contesting the bail plea of Delhi University Professor GN Saibaba. Saibaba was arrested in 2014, a justification for which was to prevent him from committing what the police called “anti-national activities.”

Food security? Gujarat govt puts more than 5 lakh ration cards in the 'silent' category

By Pankti Jog* A new statistical report uploaded by the Gujarat government on the national food security portal shows that ensuring food security for the marginalized community is still not a priority of the state. The statistical report, uploaded on December 24, highlights many weaknesses in implementing the National Food Security Act (NFSA) in state.

Why Indo-Pak relations have been on 'knife’s edge' , hostilities may remain for long

By Utkarsh Bajpai*  The past few decades have seen strides being made in all aspects of life – from sticks and stones to weaponry. The extreme case of this phenomenon has been nuclear weapons. The menace caused by nuclear weapons in the past is unforgettable. Images of Hiroshima and Nagasaki from 1945 come to mind, after the United States dropped two atomic bombs on the cities.

Subaltern voices go digital: Three Indian projects rewriting history from the ground up

By A Representative   A new wave of digital humanities (DH) work in India is shifting the focus away from university classrooms and English-language scholarship, instead prioritizing multilingual, community-driven archives that amplify subaltern voices . According to a review published in the Journal of Asian Studies , projects such as the People’s Archive of Rural India (PARI), the Oral History Narmada archive , and the Bhasha Research and Publication Centre are redefining how the country remembers its past — often without government funding or institutional support.

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...