Skip to main content

Madhya Pradesh Adivasis protest externment notice to Barwani tribal rights leader

By Harsing Jamre, Nasri Bai Ningwal, Prakash Bandod* 

Over 2,500 Adivasis mobilized in response to Barwani district administration’s recent move to issue a show cause notice to Valsingh Saste, a prominent Adivasi activist of Jagrit Adivasi Dalit Sangathan (JADS), Madhya Pradesh. For two decades, Valsingh Saste as an activist of JADS has been continuously leading struggles for the constitutional and fundamental rights of Adivasis.
The move to hand show cause notice while accusing Valsingh of committing “heinous crimes” of organizing protests, rallies and demonstrations for their constitutional and fundamental rights has enraged Adivasis, who consider the notice an attempt to subdue the ongoing struggles of Adivasis for their constitutional rights. Protesting Adivasis unanimously responded to this attack by raising slogans of – "Valsingh kon che? Aamu che, aamu che!" (Who is Valsingh? All of us!) – making it clear that this was not an issue of mere harassment of an Adivasi activist, but an affront to the entire Adivasi community who has continuously leading constitutional struggles for their rights.
Adivasi women and men were stopped on their way to the District Collector’s Office as the gates of the office were shut to prevent protestors from entering the premises – Adivasis led their protest right at the gate of the office, barring all entry and exit from the office until the district administration formally ‘received’ the showcause notice being submitted to them – seeking a response from the administration as to why shouldn’t Adivasis of the district pass externment orders on the administration instead, for their crimes of the constant violation and denial of the fundamental rights of Adivasis?
Adivasis were enraged at the district administration: “You get paid for one job- to know laws that serve people and to ensure that the constitutional rights of Adivasis are not violated – and yet, it is us who has to constantly come to you, to protest, to agitate and to educate you, leaving behind our homes, our fields, our work – thousands of illiterate Adivasis have to travel all the way to come to you, teach you the law regarding NREGA, regarding ration (National Food Security Act or NFSA), regarding our education (Right to Education), regarding our health! While you receive salaries from our money, it is us who have to do your work for you! Instead of taking out externment notices against us, you should be paying us!”
Throughout the protest, Adivasis publicly testified to these ‘crimes’ of the government and administration. Adivasi farmers remain bereft of their right to sell crops at minimum support price (MSP) and are forced to sell their crops at low prices, which do not even cover their costs of production, pushing them into debt while traders derive a hefty profit.
Instead of guaranteeing the MSP for all 24 crops at 1.5 times the total cost of production, the government is attempting to do away with all possibilities of Adivasi farmers receiving remunerative prices for their crops. The lack of employment opportunities, the deliberate mismanagement and corruption in the implementation of NREGA has led to the forced displacement and migration of thousands of Adivasis to Gujarat and Maharashtra, where women and men suffer harassment, violence and exploitation at the hands of their employers. 
Citing the Madhya Pradesh government’s order to close down more than half schools across 89 Adivasi blocks in 20 districts, contrary to the provisions of ensuring a school every 1-3 kilometers as per the Right to Education Act, 2009.
Already the futures of Adivasi students have suffered tremendously due to the imposition of online education - further, the government is actively trying to privatize education and deny Adivasis, Dalits and other children of the working masses their right to education! 
Hospitals remain perpetually understaffed, while health centres and hospitals in Adivasi blocks, lack basic tools and machines for investigation and diagnoses – protestors demanded that the District Collector, SP come out and respond to the notice publicly, however only the sub-divisional magistrate (SDM) and the sub divisional police officer (SDOP) appeared to receive the show cause notice addressed to the district administration.
As the show cause notice was read out to the officials, protestors demanded that the officials answer for each of the ‘crimes’ listed in the notice. For over an hour, uncomfortable officials were forced to face a barrage of questions on aforementioned issues, to which the SDM and SDOP were unable to provide concrete answers.
Adivasi organisations across Barwani – Adivasi Chhatra Sangathan, Jay Adivasi Yuva Shakti, Adivasi Ekta Parishad, Adivasi Vikas Parishad, Adivasi Mukti Sangathan, Akhil Bharatiya Adivasi Mahasabha and OBC, SC, ST Ekta Manch all participated in the protest and warned the administration that such attempts to harass and subdue constitutional Adivasi struggles would not be tolerated and would be responded by the entire Adivasi community, across the State.
---
*Jagrit Adivasi Dalit Sangathan, Madhya Pradesh

Comments

TRENDING

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

'Batteries now cheap enough for solar to meet India's 90% demand': Expert quotes Ember study

By A Representative   Shankar Sharma, Power & Climate Policy Analyst, has urged India’s top policymakers to reconsider the financial and ecological implications of the country’s energy transition strategy in light of recent global developments. In a letter dated April 10, 2026, addressed to the Union Ministers of Finance, Power, New & Renewable Energy, Environment, Forest & Climate Change, and the Vice Chair of NITI Aayog, with a copy to the Prime Minister, Sharma highlighted concerns over India’s ambitious plans for coal gasification and the Prototype Fast Breeder Reactor (PFBR).

Manufacturing, services: India's low-skill, middle-skill labour remains underemployed

By Francis Kuriakose* The Indian economy was in a state of deceleration well before Covid-19 made its impact in early 2020. This can be inferred from the declining trends of four important macroeconomic variables that indicate the health of the economy in the last quarter of 2019.

Incarceration of Prof Saibaba 'revives' the question: What is crime, who is criminal?

By Kunal Pant* In 2016, a Supreme Court Judge asked the state of Maharashtra, “Do you want to extract a pound of flesh?” The statement was directed against the state for contesting the bail plea of Delhi University Professor GN Saibaba. Saibaba was arrested in 2014, a justification for which was to prevent him from committing what the police called “anti-national activities.”

Food security? Gujarat govt puts more than 5 lakh ration cards in the 'silent' category

By Pankti Jog* A new statistical report uploaded by the Gujarat government on the national food security portal shows that ensuring food security for the marginalized community is still not a priority of the state. The statistical report, uploaded on December 24, highlights many weaknesses in implementing the National Food Security Act (NFSA) in state.

Why Indo-Pak relations have been on 'knife’s edge' , hostilities may remain for long

By Utkarsh Bajpai*  The past few decades have seen strides being made in all aspects of life – from sticks and stones to weaponry. The extreme case of this phenomenon has been nuclear weapons. The menace caused by nuclear weapons in the past is unforgettable. Images of Hiroshima and Nagasaki from 1945 come to mind, after the United States dropped two atomic bombs on the cities.

Subaltern voices go digital: Three Indian projects rewriting history from the ground up

By A Representative   A new wave of digital humanities (DH) work in India is shifting the focus away from university classrooms and English-language scholarship, instead prioritizing multilingual, community-driven archives that amplify subaltern voices . According to a review published in the Journal of Asian Studies , projects such as the People’s Archive of Rural India (PARI), the Oral History Narmada archive , and the Bhasha Research and Publication Centre are redefining how the country remembers its past — often without government funding or institutional support.

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...