Skip to main content

'Fake encounter': 12 Adivasis killed being dubbed Maoists, says FACAM

Counterview Desk
 
The civil rights network* Forum Against Corporatization and Militarization (FACAM), even as condemn what it has called "fake encounter" of 12 Adivasi villagers in Gangaloor, has taken strong exception to they being presented by the authorities as Maoists.
In a statement, it said, the information it has received suggests that "they were villagers from the nearby Pedia village who were out to gather leaves, a long-term traditional agrarian practice for Adivasi peasants during this season."
Quoting widowed wives and children of the murdered peasants, FACAM claimed, "They were dragged by the paramilitary personnel while they were gathering the leaves and shot dead."

Text:

On 11th May 2024, twelve people from Chhattisgarh were killed in a fake encounter by the paramilitary forces of the Indian state, which claimed that they were all members of the banned CPI (Maoist) killed in exchange of fire. FACAM has received information that they were villagers from the nearby Pedia village who were out to gather leaves, a long-term traditional agrarian practice for Adivasi peasants during this season. According to the villagers, the widowed wives and children of the murdered peasants, they were dragged by the paramilitary personnel while they were gathering the leaves and shot dead. The government later reported this as killings during an encounter with the armed forces of the Maoists.
While a delegation of democratic rights activists, widows, children, family and well-wishers of the murdered villagers which went to seek the bodies and register their protest against this fake encounter was shunned from the Bijapur District Collector’s office, 30 Adivasi peasants were detained for protesting against this incident. As of this writing, only 25 of them have been released. The Bijapur District Collector did not hand over the bodies of the murdered villagers, raising further suspicions regarding the Indian state’s claims.
This is not an isolated instance but is part of the escalation that began on 1st January 2024 with the initiation of Operation Kagar in Abujmarh area and the leap of Operation Samadhan-Prahar into the fascist Surajkund Scheme. A similar instance happened on the 19th January 2024. Madkam Soni, Punem Nangi from Nendra village, Bijapur and Karem Kosa from Gotum village, Bijapur were killed by the security forces when they were going to join a protest in Gorna village against the paramilitary camps being set up in their area. The state has claimed that all three individuals were Maoists. Similarly, on 27th January, Podiya Mandavi from Pedka village died in police custody after he was wrongfully detained by the police for his alleged involvement in a Maoist IED blast that took the lives of 10 police and paramilitary personnel. Villagers say that he was taken into custody while going to watch a cock fight, a common pasttime activity among the villagers. Knife marks on his body suggest he was tortured in custody and an FIR remains to be filed regarding this death even after democratic rights activists tried to do so.
The Indian state’s war against Naxalism is practically a genocidal war on people, particularly the Adivasi peasants
Since the beginning of 2024, the Indian state’s officials have thumped their chests regarding their purported successes against the Maoists, with many of their statements alleging that they are successfully killing off leading Maoists, but most such incidents are tainted with human rights violations. Be it the killings in Kanker on 16th April where 17 unarmed and injured combatants were shot dead in clear violations of the Geneva Convention, or the recent 30th April incident where allegedly 10 Maoists were killed which later turned out to be 6 Maoists and 4 Adivasi peasants who were shot dead in cold blood.
The Indian state’s “war against Naxalism” is practically a genocidal war on people, particularly the Adivasi peasants who are resisting corporate loot of India’s natural resources, the grabbing of their lands for imperialist and big Indian corporate interests and the rampant militarization in Bastar and rest of India’s resource-rich regions which aim to quell any and all resistance, armed or unarmed, towards corporatization. FACAM condemns the continuous fake encounters in the name of anti-Maoist operations.
Forum Against Corporatization and Militarization (FACAM) demands:
  • An independent investigation into the fake encounters that have happened since 1st January 2024 with a retired Supreme Court judge at its helm.
  • An end to the draconian Surajkund Scheme and Operation Samadhan-Prahar.
---
*All India Revolutionary Students Organization (AIRSO), All India Students Association (AISA), All India Revolutionary Women’s Organization (AIRWO), Ambedkar Student Association- DU (ASA-DU), Bhim Army Student Federation (BASF), Bhagat Singh Ambedkar Students Organization (BASO), Bhagat Singh Chhatra Ekta Manch (bsCEM), Collective, Common Teachers Forum (CTF), Democratic Students Union (DSU), Fraternity Movement, Nazariya Magazine, Progressive Lawyers Association (PLA), Mazdoor Adhikar Sangathan (MAS), Trade Union Centre of India (TUCI), Vishwavidyalaya Chhatra Federation (VCF)

Comments

TRENDING

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

'Batteries now cheap enough for solar to meet India's 90% demand': Expert quotes Ember study

By A Representative   Shankar Sharma, Power & Climate Policy Analyst, has urged India’s top policymakers to reconsider the financial and ecological implications of the country’s energy transition strategy in light of recent global developments. In a letter dated April 10, 2026, addressed to the Union Ministers of Finance, Power, New & Renewable Energy, Environment, Forest & Climate Change, and the Vice Chair of NITI Aayog, with a copy to the Prime Minister, Sharma highlighted concerns over India’s ambitious plans for coal gasification and the Prototype Fast Breeder Reactor (PFBR).

Manufacturing, services: India's low-skill, middle-skill labour remains underemployed

By Francis Kuriakose* The Indian economy was in a state of deceleration well before Covid-19 made its impact in early 2020. This can be inferred from the declining trends of four important macroeconomic variables that indicate the health of the economy in the last quarter of 2019.

Incarceration of Prof Saibaba 'revives' the question: What is crime, who is criminal?

By Kunal Pant* In 2016, a Supreme Court Judge asked the state of Maharashtra, “Do you want to extract a pound of flesh?” The statement was directed against the state for contesting the bail plea of Delhi University Professor GN Saibaba. Saibaba was arrested in 2014, a justification for which was to prevent him from committing what the police called “anti-national activities.”

Food security? Gujarat govt puts more than 5 lakh ration cards in the 'silent' category

By Pankti Jog* A new statistical report uploaded by the Gujarat government on the national food security portal shows that ensuring food security for the marginalized community is still not a priority of the state. The statistical report, uploaded on December 24, highlights many weaknesses in implementing the National Food Security Act (NFSA) in state.

Why Indo-Pak relations have been on 'knife’s edge' , hostilities may remain for long

By Utkarsh Bajpai*  The past few decades have seen strides being made in all aspects of life – from sticks and stones to weaponry. The extreme case of this phenomenon has been nuclear weapons. The menace caused by nuclear weapons in the past is unforgettable. Images of Hiroshima and Nagasaki from 1945 come to mind, after the United States dropped two atomic bombs on the cities.

Subaltern voices go digital: Three Indian projects rewriting history from the ground up

By A Representative   A new wave of digital humanities (DH) work in India is shifting the focus away from university classrooms and English-language scholarship, instead prioritizing multilingual, community-driven archives that amplify subaltern voices . According to a review published in the Journal of Asian Studies , projects such as the People’s Archive of Rural India (PARI), the Oral History Narmada archive , and the Bhasha Research and Publication Centre are redefining how the country remembers its past — often without government funding or institutional support.

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...