Skip to main content

Gujarat govt claims oustees "fully satisfied" with land acquired for Garudeshwar weir on Narmada

Villagers protest against weir
By A Representative
The Gujarat government has claimed that villagers, whose land has been acquired for constructing the Garudeshwar weir across Narmada river, and 12 km from the Narmada dam site, were “fully satisfied” with the package offered to them decades ago. In said this in an affidavit filed before the National Green Tribunal (NGT) in response to a petition filed by Gujarat-based environmental body Paryavaran Suraksha Samiti (PSS), seeking stoppage of work at the weir, alleging the weir’s environmental and rehabilitation and resettlement (R&R) clearances have not been taken, as required by law.
The environmentalist group had cited a March 2013 letter written by Shekhar Singh, a senior member of the Narmada Control Authority (NCA), responsible for all clearances for the Sardar Sarovar Project (SSP), asking the Gujarat government “to immediately stop construction of the Garudeshwar weir”, as it has not submitted “full feasibility report, environment and social impact assessment report including impacts during construction and operation of the weir” to the environmental sub-group of the NCA.
Interestingly, the state government assertion comes at a time when the Government of India has admitted that it has not received any documents from the Gujarat government for environmental clearance of the weir. In its affidavit before the NGT on the same petition, the ministry of environment and forests (MoEF) has stated, it did not receive “either for scoping/terms of reference (TOR) or environmental clearance”, nor does it have any “information on Garudeshwar project.”
Ignoring Shekhar Singh’s and Government of India’s contention, the state government has said that the weir’s “land acquisition proceedings commenced in 1987 by issuance of a notification under Section 4 of the Land Acquisition Act”, adding, “The land required to be acquired under the Land Acquisition Act, was 113.81 hectares (ha) and only 23 ha are in the process of acquisition. The remaining land was acquired long back in pursuance of the several notifications issued under Section 4 of the Land Acquisition Act right from 1987 onwards till 2007”.
The state government has further said that the weir-affected land owners have “accepted” the “statutory awards contemplated under the Land Acquisition Act”, adding, “All the persons whose lands were acquired approached the district court seeking higher quantum of compensation, and thereafter the High Court of Gujarat, clearly showing that no one has objected to the land being acquired.”
Meanwhile, the state government appears to have stirred up hornet’s nest by declaring that the weir is part of the Sardar Sarovar Project (SSP), and not an “isolated project”. It says, SSP is “a comprehensive project encompassing within its sweep the construction of dam, construction of dykes, canals, construction and installation of electricity generating power house and construction of Garudeshwar weir”.
Its affidavit suggests that the weir is a very important component of the Narmada dam. Referring to how it would help generate power produced at the dam, it insists, “The construction of weir is of tremendous public importance since the same would enable the reversible operation of the underground powerhouse units (six turbines of 200 Mega Watt each, already constructed and commissioned several years ago) and thereby will enable production of peak electrical energy under all condition of water availability by use of reversible turbine.”
The statement has made senior environmentalists Rohit Prajapati and Lakhan Musafir, who filed the petition before the NGT, wonder, if this were so, why were those whose land was acquired for constructing the weir refused compensation as per the SSP. They have insisted, if the weir was part of the SSP “then the affected persons of Garudeshwar weir need to be treated as per the SSP resettlement and rehabilitation policies.”
The environmentalists say, the permission to raise the dam height beyond 90 metres, according to a Supreme Court order of 2000, should be given by the Narmada Control Authority (NCA) from time to time after it obtains the clearances from the NCA’s R&R and environment sub-groups. And because the weir is part of the SSP, the same should apply to it. They insist, “At no stage since 1987 have the social and environmental impacts for Garudeshwar weir been assessed and such assessment had not approved by the competent authorities.”
The state government claim that the weir affected persons “happily accepted” the land acquisition package comes when 70 villagers around the Narmada dam have strongly reacted to the weir without any approval from their gram sabhas. They have sought to invoke Schedule V of the Constitution of India, under which approval from the gram sabhas is a must before going ahead with any major project that may affect their livelihood.
Construction of the weir, according to the villagers, who have formed an informal organization called Sitter Gaam Adivasi Sangathan, is being carried out at a time when the whole area is sought to be converted into a tourist spot. The Panchayats (Extension to Scheduled Areas) Act, 1996 or PESA requires gram sabha approval for any such land acquisition is a must if adivasis are involved.
In a representation to the Gujarat government last year, the Sangathan said, “More than 1,000 acres of land will be submerged because of the Garudeshwar weir, yet there is no mention in the package as to for how many days in a year this will happen, and if people will get compensated because of the destruction of standing crop if the submergence is temporary.”

Comments

Rishit said…
I recently visited Indravarna and saw the weir being constructed myself. An artificial barricade is formed in the waters using mud from the banks. Once the barricaded water dries out, the construction will start. It looks horrible. Just a few kilometers away a Statue worth 200 crores stands to be constructed. And a few kilometers away from the statue stands the ugliest man-made structure, the Sardar Sarovar Dam. What do they think they're doing to this region? Police surveillance is at its peak. Locals are cornered and threatened. The people of Indravarna complained of the small size of watermelons that grows ever since the Narmada dam was built. Something to do with the fertile soil the river used to bring. They are so dejected that they have told the authorities that they don't want any money. They are being forced to move.

TRENDING

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Kolkata dialogue flags policy and finance deficit in wetland sustainability

By A Representative   Wetlands were the focus of India–Germany climate talks in Kolkata, where experts from government, business, and civil society stressed both their ecological importance and the urgent need for stronger conservation frameworks. 

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

Maoist activity in India: Weakening structures, 'shifts' in leadership, strategy and ideology

By Harsh Thakor*  Recent statements by government representatives have suggested that Maoism in India has been effectively eliminated, citing the weakening of central leadership and intensified security operations. These claims follow sustained counterinsurgency efforts across key regions, including central and eastern India. However, available information from security agencies and independent observers indicates that while the organizational structure of the CPI (Maoist) has been significantly disrupted, elements of the movement remain active. Reports acknowledge the continued presence of cadres in certain forested regions such as Bastar and parts of Dandakaranya, alongside smaller, decentralized units adapting their operational strategies.

46% own nothing, 1% own 18%: The truth about India’s land inequality

By Vikas Meshram *  “Agriculture is the backbone of India” — this is what we have been hearing for generations. But there is a pain hollowing out this backbone from within: the unequal distribution of land. On one hand, news of farmer suicides, indebtedness, and rural migration keeps coming; on the other, agricultural land across the country continues to concentrate in the hands of a few wealthy individuals.

From Manesar to Noida: Workers take to streets for bread, media looks away

By Sunil Kumar*   Across several states in India, a workers’ movement is gathering momentum. This is not a movement born of luxury or ambition, nor a demand for power-sharing within the state. At its core lies a stark and basic plea: the right to survive with dignity—adequate food, and wages sufficient to afford it.

US study links ultra-processed diets to preterm birth, sparks concern in India

By Jag Jivan   A growing body of scientific evidence linking ultra-processed food (UPF) consumption during pregnancy to adverse maternal and neonatal outcomes has sparked fresh concern among public health experts, with Indian nutrition advocates warning of serious implications for the country’s already strained maternal health landscape.

Midnight weeping: The sociology of tragic vision in Badri Narayan’s poetry

By Ravi Ranjan*  Badri Narayan, a distinguished Hindi poet and social scientist, occupies a unique position in contemporary Indian intellectual life by bridging the worlds of creative literature and critical social inquiry. His poetic journey began significantly with the 1993 collection 'Saca Sune Hue Kaï Dina Hue' (Truth Heard Many Days Ago). As a social historian and cultural anthropologist, Narayan pioneered a methodological shift away from elite archives toward the oral traditions and folk myths of marginalized communities. He eventually legitimized "folk-ethnography" as a rigorous academic discipline during his tenure as Director of the G.B. Pant Social Science Institute.