Skip to main content

Haven't done a good deed, inner soul is cursing me as sinner: Aurangzeb's last 'will'

Counterview Desk
The Tomb of Aurangzeb, the last of the strong Mughal emperors, located in Khuldabad, Aurangabad district, Maharashtra, has this epitaph inscribed on it: "Az tila o nuqreh gar saazand gumbad aghniyaa! Bar mazaar e maa ghareebaan gumbad e gardun bas ast" (the rich may well construct domes of gold and silver on their graves. For the poor folks like me, the sky is enough to shelter my grave).
The modest tomb of Aurangzeb is perhaps the least recognised legacies of the Mughal Emperor who ruled the land for 50 eventful years. Towards the end of his reign and life, he did realise the futility of it all, says well-known policy analyst Mohan Guruswamy in a Facebook post, citing Aurangzeb's last testament and will.

Text:

On the approach of the inevitable Aurangazeb Alamgir was supposed to have written: "Main iss duniya mein aaya ajnabi, aur ajnabi jaa raha hun. Main kaun hun, kahan sey aaya aur kahan hai mera manzil, mujhe kuch maloom nahi."
His grave is a simple slab open to the sky at Khuldabad near Aurangabad. I once stopped by to marvel at the tomb of an Emperor of India whose empire was as large as Ashoka the Great's. It was only the post 1857 domain of the British that when exceeded this.
History records him as a cruel bigot. All bigots are cruel and intolerant. All empires have foundations of blood. But they usually enjoy a moment or two of remorse when the seem to realise the futility of their endeavors.
Aurangazeb's last will and testament expresses this in ample measure: "Allah should not make anyone an emperor. The most unfortunate person is he who becomes one." The Emperor's last will was recorded by Maulvi Hamid-ud Din in Chapter 8 of his hand-written Persian book on the life of Aurangzeb:
***
There is no doubt that I have been the Emperor of India and I have ruled over this country. But I am sorry to say that I have not been able to do a good deed in my lifetime. My inner soul is cursing me as a sinner. But I know it is of no avail. It is my wish that my last rites be performed by my dear son Azam. No one else should touch my body.
My servant, Aya Beg, has my purse in which I have carefully kept my earnings of Rupees four and two Annas. In my spare time, I have been writing the Quran and stitching caps. It was by selling the caps that I made an honest earning. My coffin should be purchased with this amount. No other money should be spent for covering the body of a sinner.
This is my dying wish. By selling the copies of Quran I collected Rupees 305, which is also with Aya Beg. It is my will that poor Mohammedans should be fed with sweet rice procured with this money.
All my articles – clothes, ink stand, pens and books should be given to my son Azam. The labour charges for digging my grave will be paid by Prince Azam.
No one should be permitted to place any flowers on my body. No music should be played or sung, I hate music
My grave should be dug in a dense forest. When I am buried, my face should remain uncovered. Do not bury my face in the earth. I want to present myself to Allah with a naked face. I am told, whoever goes to the supreme court on high with a naked face will have his sins forgiven.
My coffin should be made of thick 'Khaddar'. Do not place a costly shawl on the corpse. The route of my funeral should not be showered with flowers. No one should be permitted to place any flowers on my body. No music should be played or sung, I hate music.
No tomb should be built for me. Only a 'chabootra' or a platform may be erected.
I have not been able to pay the salaries of my soldiers and my personal servants for several months. I bequeath that after my death at least my personal servants be paid in full, even as the treasury is empty. Niamat Ali has served me very faithfully : he has cleaned my body and has never let my bed remain dirty.
No mausoleum should be raised in my memory. No stone with my name should be placed at my grave. There should be no trees planted near the grave. A sinner like me does not deserve the protection of a shady tree!
My son, Azam, has the authority to rule from the throne of Delhi. Kam Baksh should be entrusted with governance of Bijapur and Golconda states.
Allah should not make anyone an emperor. The most unfortunate person is he who becomes one. My sins should not be mentioned in any social gathering. The story of my life should not be told to anyone.

Comments

TRENDING

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

'Batteries now cheap enough for solar to meet India's 90% demand': Expert quotes Ember study

By A Representative   Shankar Sharma, Power & Climate Policy Analyst, has urged India’s top policymakers to reconsider the financial and ecological implications of the country’s energy transition strategy in light of recent global developments. In a letter dated April 10, 2026, addressed to the Union Ministers of Finance, Power, New & Renewable Energy, Environment, Forest & Climate Change, and the Vice Chair of NITI Aayog, with a copy to the Prime Minister, Sharma highlighted concerns over India’s ambitious plans for coal gasification and the Prototype Fast Breeder Reactor (PFBR).

Manufacturing, services: India's low-skill, middle-skill labour remains underemployed

By Francis Kuriakose* The Indian economy was in a state of deceleration well before Covid-19 made its impact in early 2020. This can be inferred from the declining trends of four important macroeconomic variables that indicate the health of the economy in the last quarter of 2019.

Incarceration of Prof Saibaba 'revives' the question: What is crime, who is criminal?

By Kunal Pant* In 2016, a Supreme Court Judge asked the state of Maharashtra, “Do you want to extract a pound of flesh?” The statement was directed against the state for contesting the bail plea of Delhi University Professor GN Saibaba. Saibaba was arrested in 2014, a justification for which was to prevent him from committing what the police called “anti-national activities.”

Food security? Gujarat govt puts more than 5 lakh ration cards in the 'silent' category

By Pankti Jog* A new statistical report uploaded by the Gujarat government on the national food security portal shows that ensuring food security for the marginalized community is still not a priority of the state. The statistical report, uploaded on December 24, highlights many weaknesses in implementing the National Food Security Act (NFSA) in state.

Why Indo-Pak relations have been on 'knife’s edge' , hostilities may remain for long

By Utkarsh Bajpai*  The past few decades have seen strides being made in all aspects of life – from sticks and stones to weaponry. The extreme case of this phenomenon has been nuclear weapons. The menace caused by nuclear weapons in the past is unforgettable. Images of Hiroshima and Nagasaki from 1945 come to mind, after the United States dropped two atomic bombs on the cities.

Subaltern voices go digital: Three Indian projects rewriting history from the ground up

By A Representative   A new wave of digital humanities (DH) work in India is shifting the focus away from university classrooms and English-language scholarship, instead prioritizing multilingual, community-driven archives that amplify subaltern voices . According to a review published in the Journal of Asian Studies , projects such as the People’s Archive of Rural India (PARI), the Oral History Narmada archive , and the Bhasha Research and Publication Centre are redefining how the country remembers its past — often without government funding or institutional support.

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...