Skip to main content

J&K RTI Foundation raises concerns over new online portal, urges inclusion J&K Bank

By A Representative
 
The Jammu and Kashmir RTI Foundation has expressed several concerns regarding the newly launched J&K Right to Information (RTI) Online Portal in a press statement. While acknowledging the portal’s potential to enhance government transparency and simplify the RTI filing process, the Foundation highlighted several operational and structural issues that could impede its effectiveness.
Key Concerns Raised by the Foundation
1. Confusing Homepage Message:
The portal’s homepage prominently displays a warning advising users not to file RTI requests for Central or other State Government departments. The Foundation argues that this message, without any welcoming or reassuring text, could confuse and discourage first-time users. They recommend including a friendly message clarifying that the portal is exclusively for J&K government departments to enhance user experience.
2. Mandatory Document Upload:
Applicants are required to upload a PDF document when filing an RTI request, even after entering the request text in the designated field. The Foundation considers this requirement redundant and notes that it is inconsistent with the Central RTI Online Portal (https://rtionline.gov.in/), where uploading documents is optional. Additionally, users who fail to upload a document are redirected to an error page, forcing them to restart the process. The Foundation suggests making the document upload optional and incorporating inline validation to allow users to correct errors without restarting the application.
3. Refund and Application Transfer Issues:
After submitting an RTI application, users receive a message stating that the application fee will not be refunded if the relevant public authority is not integrated into the portal. The message also warns that the application will not be transferred to the appropriate authority. The Foundation urges the government to onboard all public authorities to the portal or use Section 6(3) of the RTI Act to forward applications to the relevant authority, even if it is not part of the system.
4. Exclusion of J&K Bank:
The Foundation strongly criticized the exclusion of Jammu and Kashmir Bank from the portal. As a public authority under the RTI Act, the Bank is legally required to provide information to the public. Despite having an RTI section on its website, citizens are unable to file RTI requests for the Bank through the new portal. The Foundation has received multiple complaints from applicants and has demanded the immediate integration of the Bank into the system.
5. Lack of Email Confirmations:
Currently, the portal sends SMS notifications to users upon application submission but does not provide email confirmations. The Foundation recommended introducing email notifications, similar to the Central RTI Portal, to provide applicants with an official record of their submissions.
Recommendations for Improvement
The J&K RTI Foundation lauded the government’s initiative but emphasized the need to address these issues promptly to maximize the portal’s utility.
“These shortcomings, if not rectified, could undermine the very purpose of the RTI portal—to ensure transparency and accountability in governance. We urge the government to act swiftly in resolving these concerns,” the statement read.
The Foundation remains optimistic that with the suggested improvements, the portal can effectively serve as a robust tool for public accountability in Jammu and Kashmir.

Comments

TRENDING

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

'Batteries now cheap enough for solar to meet India's 90% demand': Expert quotes Ember study

By A Representative   Shankar Sharma, Power & Climate Policy Analyst, has urged India’s top policymakers to reconsider the financial and ecological implications of the country’s energy transition strategy in light of recent global developments. In a letter dated April 10, 2026, addressed to the Union Ministers of Finance, Power, New & Renewable Energy, Environment, Forest & Climate Change, and the Vice Chair of NITI Aayog, with a copy to the Prime Minister, Sharma highlighted concerns over India’s ambitious plans for coal gasification and the Prototype Fast Breeder Reactor (PFBR).

Manufacturing, services: India's low-skill, middle-skill labour remains underemployed

By Francis Kuriakose* The Indian economy was in a state of deceleration well before Covid-19 made its impact in early 2020. This can be inferred from the declining trends of four important macroeconomic variables that indicate the health of the economy in the last quarter of 2019.

Incarceration of Prof Saibaba 'revives' the question: What is crime, who is criminal?

By Kunal Pant* In 2016, a Supreme Court Judge asked the state of Maharashtra, “Do you want to extract a pound of flesh?” The statement was directed against the state for contesting the bail plea of Delhi University Professor GN Saibaba. Saibaba was arrested in 2014, a justification for which was to prevent him from committing what the police called “anti-national activities.”

Food security? Gujarat govt puts more than 5 lakh ration cards in the 'silent' category

By Pankti Jog* A new statistical report uploaded by the Gujarat government on the national food security portal shows that ensuring food security for the marginalized community is still not a priority of the state. The statistical report, uploaded on December 24, highlights many weaknesses in implementing the National Food Security Act (NFSA) in state.

Why Indo-Pak relations have been on 'knife’s edge' , hostilities may remain for long

By Utkarsh Bajpai*  The past few decades have seen strides being made in all aspects of life – from sticks and stones to weaponry. The extreme case of this phenomenon has been nuclear weapons. The menace caused by nuclear weapons in the past is unforgettable. Images of Hiroshima and Nagasaki from 1945 come to mind, after the United States dropped two atomic bombs on the cities.

Subaltern voices go digital: Three Indian projects rewriting history from the ground up

By A Representative   A new wave of digital humanities (DH) work in India is shifting the focus away from university classrooms and English-language scholarship, instead prioritizing multilingual, community-driven archives that amplify subaltern voices . According to a review published in the Journal of Asian Studies , projects such as the People’s Archive of Rural India (PARI), the Oral History Narmada archive , and the Bhasha Research and Publication Centre are redefining how the country remembers its past — often without government funding or institutional support.

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...