Skip to main content

Attack on Wendy's book on Hinduism suggests "casualness of attacks on the arts in India": Rushdie

By A Representative
The author of “The Satanic Verses”, banned in India just nine days after it was published on September 26, 1988, for alleged blasphemy under pressure from extremist Islamic groups, has taken strong exception to Penguin India’s decision to withdraw "The Hindus: An Alternative History" from market, this time under pressure from Hindu bigots. Coming down heavily against the Penguin decision, Emory University Distinguished Professor Salman Rushdie has said that he fears for the “future of Indian literary freedom in the wake of the controversy over the recall and destruction of a book on Hinduism by an American scholar.”
Campaign to ban “The Satanic Verses” was orchestrated by Jamaat-i-Islami, the party founded in Pakistan by Sayyid Abul A'la Maududi. A journalist-cum-theologian, Maududi preached that "for the entire human race, there is only one way of life which is Right in the eyes of God and that is al-Islam".
Rushdie was speaking Emory's India Summit on February 17, which was meant to cover new and emerging authors in India; however, the discussion was dominated by curiosity and concern over the decision.
Reporting on Sushdie’s comment, http://news.emory.edu/ said, “Following protests by the conservative religious group Shiksha Bachao Andolan Committee and a lawsuit filed by activist Dina Nath Batra, Penguin India settled the legal battle by agreeing to recall and destroy copies of ‘The Hindus: An Alternative History,’ which was published in 2009. The book is by Wendy Doniger, a professor at the University of Chicago Divinity School and noted Hinduism scholar.”
It added, “According to critics, the book violated a section of India's penal code that criminalizes ‘deliberate and malicious acts intended to outrage religious feelings of any class by insulting its religion or religious beliefs’."
"The casualness of the attacks on the arts in India and the broad of inertia of the mass of the public to the fact that these things are being done arises very little outrage, very little commentary. The attitude is 'if you got yourself banned, it is your fault because you did something you shouldn't have,'" Rushdie said.
"We are in the middle of a cultural emergency and the levels of oppression in the cultural area should worry us as much as the political oppression (in India) of the 1970s. There just isn't enough concern about it", he was quoted as saying.
Because of the way the law is written in India, authorities more often side with those attacking literature and art than the attackers, Rushdie said, adding, “The attitude of the masses in India ranges from apathy to acceptance of the idea that the law should prevent people from saying things that offend them."
He added, "The artist or writer or scholar or filmmaker is blamed for having done that. It is not the fault of the bigot attacking him, it is his fault for having inflamed the bigot. Nobody defends the right of people to say things that other people may not like. If we are prevented from saying something that might offend somebody else, no one will be able to say anything."
Calling Doniger's book an extraordinary work of scholarship, Rushdie said he was worried for the future of Indian culture if archaic laws continue to allow the oppression of writers and artists on the basis of offending someone. "Literature and art are created by artists who go to the edge and push the boundaries. The history of literature is full of this."
In any literature you can see courageous writers who stand against the status quo when they believe it is wrong. You do not have to do this, but you should be able to. It should not be criminalized if you do," he pointed out.

Comments

TRENDING

Telangana government urged to stop 'unconstitutional' relocation of Chenchu tribes

By A Representative   The Nallamalla forests are witnessing a renewed surge of indigenous resistance as the Chenchu adivasis , a Particularly Vulnerable Tribal Group (PVTG), have formally launched the Chenchu Solidarity Forum (CSF) on the eve of World Earth Day to combat what they describe as unlawful and forced relocation from the Amrabad Tiger Reserve . 

Kolkata dialogue flags policy and finance deficit in wetland sustainability

By A Representative   Wetlands were the focus of India–Germany climate talks in Kolkata, where experts from government, business, and civil society stressed both their ecological importance and the urgent need for stronger conservation frameworks. 

'Fraudulent': Ex-civil servants urge President to halt Odisha tribal land dispossession

By A Representative   A collective of 81 retired civil servants from the Constitutional Conduct Group has written to the President of India expressing alarm over what they describe as the wrongful dispossession of tribal lands in Odisha’s Rayagada district. The letter, dated April 19, 2026, highlights violent clashes in Kantamal village where police personnel reportedly injured over 70 tribal residents attempting to protect their community rights. 

Dhandhuka violence: Gujarat minority group seeks judicial action, cites targeted arson

By A Representative   The Minority Coordination Committee (MCC) Gujarat has written to the Director General of Police seeking judicial action in connection with recent violence in Dhandhuka town of Ahmedabad district, alleging targeted attacks on properties belonging to members of the Muslim community following a fatal altercation between two bike riders on April 18.

Cracks in Gujarat model? Surat’s exodus reveals precarity behind prosperity claims

By Vidya Bhushan Rawat*   The return of migrant workers from Uttar Pradesh and Bihar, particularly from Gujarat, was inevitable. Gujarat has long been showcased as the epitome of “infrastructure” and the business-friendly Modi model. Yet, when governments become business-friendly, they require the poor to serve them—while keeping them precarious, unable to stabilize, demand fair wages, or assert their rights. The agenda is clear: workers must remain grateful for whatever crumbs the Seth ji offers.  

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

The high price of unemployment: The human cost of the drug crisis in J&K

​By Raqif Makhdoomi*  ​ Jammu and Kashmir is no longer merely at risk of a drug epidemic ; it is losing the fight. The statistics are staggering, with approximately 13.5 lakh people—nearly 8% of the total population—caught in the grip of substance abuse . In the ranking of Indian Union Territories , Jammu and Kashmir now sits at a grim top. We have officially reached a point where we can no longer speak in hypotheticals about a future crisis. The vocabulary has shifted from "if" to "if not addressed immediately."

India 'violating international law obligations' over Israel ties: UN rapporteur

By A Representative   Francesca Albanese, the United Nations Special Rapporteur on human rights in the occupied Palestinian territories, has alleged that India is “violating its obligations under international law” through its continued association with Israel, including defence ties and alleged arms exports during the ongoing conflict in Gaza.

Chromatographies of the self: Gender, labour, and resistance in Deepti Kushwah's verse

By Ravi Ranjan*  Any sensitive reader of contemporary Hindi poetry will find it impossible to overlook the eight poems by Deepti Kushwah recently published in Samalochan . This suite—comprising works such as ‘Ekākelī ābha’ (A Solitary Radiance), ‘Praśna mem camaktā huā’ (Glowing in the Question), and ‘Ek ankahī tapis’ (An Unspoken Heat)—constructs a multidimensional collage where colour transcends mere visual experience.