Skip to main content

Rejoinder: Why have ex-Gujarat govt officials become so active in Sahitya Parishad polls?

Prakash N Shah: Writer-activist
By Natubhai Parmar*
Some of those who once served the Gujarat government in senior positions have suddenly become very active. They are seeking to influence the Gujarati literary atmosphere by taking an unusually keen interest in the Gujarati Sahitya Parishad elections, which are currently taking place via postal ballots.
The results of the polls, in which more than 3,000 Parishad members are casting their votes,will be out in October last week. As voting is taking place, controversy has erupted following two such ex-officials contesting the post of Parishad’s president.
No doubt, it would have been better if, taking into account the healthy tradition of the Parishad, the president was elected unanimously. In the past, such stalwarts like Narayan Desai of the Gandhi katha fame, who also happens to be the son of Mahadev Desai, Mahatma Gandhi’s secretary, among other prestigious writers, are known to have become Parishad presidents unanimously.
This time, however, three writers are contesting the Parishad polls. Of these three, Harikrushna Pathak and Harshad Trivedi, are former state government officials. The third candidate, Prakash N.Shah, is writer-cum-activist and edits the Gujarati fortnightly ‘Nirikshak’.
As a keen observer of the ongoing Parishad election scenario, I can smell how bureaucratic-minded writers and their followers are in no mood to accept Prakash N Shah, a human rights activist, as Parishad president.
Harshad Trivedi, Harikrushna Pathak: Ex-state officials
One of them, himself is an ex-official with the state government, Dankesh Oza, has been canvassing for his preferred candidate, Harshad Trivedi, who was for a long time as a senior official in the state-owned Gujarat Sahitya Academy. He has raised several questions (click here) about Prakash N Shah, including why the latter has been using the Parishad logo for canvassing in ‘Nirikshak’, as also in his social media campaign.
Following Dankesh Oza’s social media posts, Prakash N Shah humbly decided to withdraw the logo. Interestingly, he did this even though Parishad election officer, PV Trivedi, a retired Gujarat cadre IAS bureaucrat, never objected to the use of the logo. Yet, hype was sought to be created to the extent that an impression was created that Prakash N Shah would withdraw.
Natubhai Parmar
Dankesh Oza is a known supporter of Harshad Trivedi. A joint appeal by the supporters to elect Harshad Trivedi as president of the Praishad includes his name.
Dankesh Oza’s social media drive has, no doubt, spread like wildfire. His only aim seems to be to ensure the victory of Harshad Trivedi by hook or by crook. Harikrushna Pathak, the other ex-official, is contesting the elections without any kind of publicity and appears convinced that his image as a writer and a person with neutral opinion would ensure his victory.
Dankesh Oza is trying to crusade very hard for Harshad Trivedi, even seeking to project himself as neutral. One should, however, remember: Politics and literature are two different things. Politics never suits literature.
One should also remember that Parishad elections are for the betterment of Gujarati literature. So, the winner’s role should serve only one purpose – of being a keen devotee of Gujarati language -- Goddess Saraswati.
---
*Former editor of a Dalit periodical, Dalit rights activist, formerly with Gujarat information department. This is a rejoinder to Dankesh Oza's article Gujarat literati flutter: State Akademi autonomy curb a Sahitya Parishad poll issue? (Counterview, September 28, 2020)

Comments

Ashok Shrimali said…
Very well argued by Natubhai for how to save Gujarati literature without political control. This is a high time to raise our voice for autonomy of any institutions whether it's literature, art, cultural or so.
Paresh Naik said…
Very well written.

TRENDING

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Kolkata dialogue flags policy and finance deficit in wetland sustainability

By A Representative   Wetlands were the focus of India–Germany climate talks in Kolkata, where experts from government, business, and civil society stressed both their ecological importance and the urgent need for stronger conservation frameworks. 

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

Maoist activity in India: Weakening structures, 'shifts' in leadership, strategy and ideology

By Harsh Thakor*  Recent statements by government representatives have suggested that Maoism in India has been effectively eliminated, citing the weakening of central leadership and intensified security operations. These claims follow sustained counterinsurgency efforts across key regions, including central and eastern India. However, available information from security agencies and independent observers indicates that while the organizational structure of the CPI (Maoist) has been significantly disrupted, elements of the movement remain active. Reports acknowledge the continued presence of cadres in certain forested regions such as Bastar and parts of Dandakaranya, alongside smaller, decentralized units adapting their operational strategies.

46% own nothing, 1% own 18%: The truth about India’s land inequality

By Vikas Meshram *  “Agriculture is the backbone of India” — this is what we have been hearing for generations. But there is a pain hollowing out this backbone from within: the unequal distribution of land. On one hand, news of farmer suicides, indebtedness, and rural migration keeps coming; on the other, agricultural land across the country continues to concentrate in the hands of a few wealthy individuals.

From Manesar to Noida: Workers take to streets for bread, media looks away

By Sunil Kumar*   Across several states in India, a workers’ movement is gathering momentum. This is not a movement born of luxury or ambition, nor a demand for power-sharing within the state. At its core lies a stark and basic plea: the right to survive with dignity—adequate food, and wages sufficient to afford it.

US study links ultra-processed diets to preterm birth, sparks concern in India

By Jag Jivan   A growing body of scientific evidence linking ultra-processed food (UPF) consumption during pregnancy to adverse maternal and neonatal outcomes has sparked fresh concern among public health experts, with Indian nutrition advocates warning of serious implications for the country’s already strained maternal health landscape.

Midnight weeping: The sociology of tragic vision in Badri Narayan’s poetry

By Ravi Ranjan*  Badri Narayan, a distinguished Hindi poet and social scientist, occupies a unique position in contemporary Indian intellectual life by bridging the worlds of creative literature and critical social inquiry. His poetic journey began significantly with the 1993 collection 'Saca Sune Hue Kaï Dina Hue' (Truth Heard Many Days Ago). As a social historian and cultural anthropologist, Narayan pioneered a methodological shift away from elite archives toward the oral traditions and folk myths of marginalized communities. He eventually legitimized "folk-ethnography" as a rigorous academic discipline during his tenure as Director of the G.B. Pant Social Science Institute.