Skip to main content

Rocked by deindustrialisation, Bengal 'lags behind' erstwhile poor neighbour Odisha

By Bhabani Shankar Nayak*
Historically, the idea of Bengali renaissance and anti-colonial struggles dominated the folklores of Indian intellectual awakening, political consciousness, and social reforms led by upper caste and upper-class Hindus. “What Bengal thinks today, India thinks tomorrow” reflects Eurocentric propaganda based on narrow nationalist glory.
Such ideological narrative is based on singularity of Bengali renaissance, which dominated, destroyed, and marginalised the representation of regional culture, language, local history and literature. It undermined multiple progressive modernities in different parts of colonial Bengal province.
The Bengali colonial collaborators and reactionary nationalists were also responsible for creating internal and dual colonialism in Bihar, Bengal, Odisha and Jharkhand. At the same time, Bengali progressive culture and revolutionary politics has not only influenced the region but also shaped my own thinking.
As a child, growing up in a remote village during 1980s Odisha, I looked up to Bengal and Calcutta in awe and envious admiration. My childhood stories were dominated by my neighbours, who used to be jute mill workers, ancillary factory workers, and cooks in elite Bengali households in Calcutta. They used to bring Calcutta candies, chocolates and garments.
Odisha markets were flooded with Calcutta products from pen and paper to bicycles, cars, and other household items. The wonderful educational infrastructure in Calcutta used to be another attraction for Odias. The deindustrialisation of Calcutta ruined the Odias’ love affairs with the city. Kolkata is no longer a place of fascination for Odias.
I first visited Calcutta as a member of the Student Federation of India (SFI) in 1994 immediately after my high school days. My first visit to Calcutta formed everlasting comradeships and lifelong friendships. Since then, I am in love with Bengali cuisine, and developed lifelong bond with Bengali films, literature and music.
Class politics, internationalist family outlook, personal sensibilities, and accommodating Odia progressive culture resolved the narrow silo of nationalist dilemmas in spite of occasional experience of Bengali elite’s supercilious behaviour towards Odias even within Odisha; particularly in the tourist town of Puri.
I continue to visit Kolkata but miss passionate spark of radicalism in the city. The invincible red slogans are invisible in city walls today. These are replaced by populism of blue and white colour in the city of joy. Peace and prosperity are becoming distant dreams in Bengal. There is a growing sense of hopelessness in the city and in the state as well.
The fall of Bengali renaissance and its politics of radical development promises need adequate interrogation. As deindustrialisation and disinvestment loom large and Bengal lags behind its erstwhile poor neighbour Odisha.
Odisha is one of the fastest growing investment destination in India today in spite of regular occurrences of natural calamities in the state. Odisha’s economy, its infrastructure and people are battered by super cyclones, storms and floods in regular intervals. It destroys lives and livelihoods of many but Odisha continues to grow and shows its resilience and capabilities in handling natural crisis and disasters.
As the world is struggling to fight the outbreak of COVID-19 pandemic, Odisha shows its early success and commitment in containing the spread of the deadly coronavirus in the state. The experience of disaster management helped the Naveen Patnaik government in Odisha, in its approach to fight COVID-19.
Many contemporary historians ignored the fact that the nation-state in Odisha is older than the Westphalian nation states in Europe
Odisha can mobilise its own resources and invest in health, education and public infrastructure with a long-term vision. There is no alternative to state led development. Odisha’s commitment to sports is unparalleled in the history of Indian sports. It brings international laurels to the state.
Times are changing to showcase Odisha and its culture as an alternative in national and international horizons. It is important to continue the momentum in strengthening the state and its capabilities for the welfare of the people.
Many contemporary historians ignored the fact that the nation-state in Odisha is older than the Westphalian nation states in Europe. The secular culture in the state is as old as the state itself. The art and architecture in the Sun temple in Konark and Jagannath temple in Puri, Khandagiri and Udayagiri cave inscriptions are some of the classic examples, that reflect iconic history, heritage and progressive culture in the state.
The Jagannath cult, Buddhism, Jainism, Bhakti movements and non-conformist spiritual movements define the diversity and inclusivity of Odia culture. The history of mercantile trade shows the history of Odia capabilities and its internationalist sense and sensibilities as well.
These lineages of progressive ideological treasures of Odisha became the foundational principles of the state and inspiration for the Naveen Patnaik government to start a campaign called “Odisha for All”.
This pluriversalistic, inclusive and secular campaign was launched in Odisha in the backdrop of anti-Muslim propaganda and bigotry spread by ruling Hindutva forces in the country. It saved Odisha from the toxicity of hate and lynching of religious minorities in the state.
The hidden beauty of Odisha is in its classical languages, dance forms, music, cuisine, progressive history, heritage, culture and inclusive society. It is little known in and outside India. The state of Odisha was represented by national media as underdeveloped state with most inward-looking lazy people in India. The national political classes marginalised the state in terms of its share from national economic development processes.
The natural resources of the state were exploited by mining led industrial capitalist class. The central governments in New Delhi continue to act like rent seeking landlords in Odisha. The politics in the state continues to be controlled by the erstwhile kings, landlords and few higher caste and class propertied families.
These forces continue to work like political clients of national political parties and capitalist classes. The consolidation of caste and class combined power structure which denied its people, any agency to express their desire, and claim their rightful position in the national and international discourses.
What can Odisha and Odias offer? Odisha can offer peace and prosperity. Odias can offer the ways to achieve resilience to face crisis and successfully overcome it. The world needs Odisha as much as Odisha needs the world. It is time to break narrow silos and learn from each other. It is time for Odisha to rise like phoenix and spread the pluriversal, inclusive and internationalist hubris of Odia renaissance.
---
*Coventry University, UK

Comments

Unknown said…
What about Kandhamal, when Christians were lynched?
Has this author not heard of Graham Staines?
What a self-congratulatory silly little article.
Anonymous said…
Hey, They were preaching hate .thats why people got angry and killed him .

TRENDING

Manufacturing, services: India's low-skill, middle-skill labour remains underemployed

By Francis Kuriakose* The Indian economy was in a state of deceleration well before Covid-19 made its impact in early 2020. This can be inferred from the declining trends of four important macroeconomic variables that indicate the health of the economy in the last quarter of 2019.

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Incarceration of Prof Saibaba 'revives' the question: What is crime, who is criminal?

By Kunal Pant* In 2016, a Supreme Court Judge asked the state of Maharashtra, “Do you want to extract a pound of flesh?” The statement was directed against the state for contesting the bail plea of Delhi University Professor GN Saibaba. Saibaba was arrested in 2014, a justification for which was to prevent him from committing what the police called “anti-national activities.”

Food security? Gujarat govt puts more than 5 lakh ration cards in the 'silent' category

By Pankti Jog* A new statistical report uploaded by the Gujarat government on the national food security portal shows that ensuring food security for the marginalized community is still not a priority of the state. The statistical report, uploaded on December 24, highlights many weaknesses in implementing the National Food Security Act (NFSA) in state.

Why Indo-Pak relations have been on 'knife’s edge' , hostilities may remain for long

By Utkarsh Bajpai*  The past few decades have seen strides being made in all aspects of life – from sticks and stones to weaponry. The extreme case of this phenomenon has been nuclear weapons. The menace caused by nuclear weapons in the past is unforgettable. Images of Hiroshima and Nagasaki from 1945 come to mind, after the United States dropped two atomic bombs on the cities.

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

'Batteries now cheap enough for solar to meet India's 90% demand': Expert quotes Ember study

By A Representative   Shankar Sharma, Power & Climate Policy Analyst, has urged India’s top policymakers to reconsider the financial and ecological implications of the country’s energy transition strategy in light of recent global developments. In a letter dated April 10, 2026, addressed to the Union Ministers of Finance, Power, New & Renewable Energy, Environment, Forest & Climate Change, and the Vice Chair of NITI Aayog, with a copy to the Prime Minister, Sharma highlighted concerns over India’s ambitious plans for coal gasification and the Prototype Fast Breeder Reactor (PFBR).

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...

50 years of the Port of Spain miracle: The chase that redefined Indian cricket

By Harsh Thakor*  Fifty years ago, India turned the tide to rewrite cricket history, rising from the depths of despair to a moment of enduring glory. Queen’s Park Oval in Port of Spain, Trinidad, is celebrated among cricket grounds for its poetic beauty. For India, it became a theatre of historic triumph. In 1976, it showed the cricketing world what it was made of.