Ranking amongst the greatest fast bowlers, Ray Lindwall wasn't just that—he was poetry in motion, a craftsman who turned the brutal art of pace bowling into something beautiful and devastating in equal measure. With his low, slinging action and flowing, wave-like run-up, he redefined what it meant to be a fast bowler in the post-war era.
Alongside Keith Miller, he formed arguably the most lethal pace pairing in cricket history, striking fear into the hearts of batsmen while leaving them mesmerised by his skill. To watch Lindwall was to witness cricketing perfection—a rare fusion of athletic grace, raw speed, and intelligent variation that set him apart from any bowler of his generation.
Though he lacked the high classical action of his peers, his low, slinging delivery was the ultimate metaphor of the complete fast bowler—a fusion of sheer speed, stamina, powerful shoulders, and a flowing run-up that was less a charge and more a rhythmic wave.
He pioneered the post-war art of the "dragger," skidding the ball with a mastery that has arguably never been surpassed. Batsmen were left clueless by his late bouncer, his extra-fast yorker, and his bewitching slower ball, all delivered with the skill of a magician. His stock deliveries—the late outswinger and the sharp seam-cutter—made the ball dance in the air, and he later developed a genuine inswinger.
No pace bowler before him, or for a long time after, moved the ball as prodigiously or was as lethal with the new ball. He was also fortunate to bowl in an era when the no-ball was measured on the back foot, his controversial 'drag' stealing precious distance and giving batsmen even less time to react.
Born on October 3, 1921, in Mascot, Sydney, Lindwall's early cricket was played on paddock pitches marked with chalk on fences. Schooled by the Marist Brothers, he was a phenomenal all-round sportsman who could have played rugby league and sprinted 100 yards in 10.6 seconds. At 12, he scored his first century; at 15, he achieved a double century and a century on the same day. A year later, he joined St George's Cricket Club under the tutelage of captain WJ O'Reilly, who used electric-eye photography to help him correct his bowling faults. By 20, he had earned a place in the New South Wales side, clean bowling a batsman in each of three successive overs in his second innings.
After wartime service in New Guinea, he resumed state cricket in 1945/46, scoring an unbeaten 134 and taking nine wickets for 80. His Test debut in the 1946/47 series against England was interrupted by chicken-pox, but he quickly made his mark with a magnificent century in the third Test—the second fastest by an Australian at the time—and a devastating spell in the fourth, where he came within a fraction of a hat-trick and took the last four wickets in two overs for two runs. He finished the series with 18 wickets at an average of 20.38, and followed it with commanding performances against India.
By the 1948 tour of England, Lindwall was the most potent weapon of Don Bradman's Invincibles. He took 27 wickets in the series at 19.62, his 6 for 20 at The Oval bowling England out for 52 in Bradman's farewell Test. His pace, in concert with Keith Miller, formed the most feared opening attack since Gregory and McDonald. He subjected batsmen to a barrage of bumpers, kept them in suspense with a repertoire that included a fast-medium stock ball, a slower ball, an extra-fast delivery, and a well-disguised bouncer. He would begin matches limbering in the dressing room, saving his fastest ball until his third or fourth over after a thorough warm-up. His accuracy was remarkable—of his 86 wickets on the tour, 43 were bowled, 11 leg-before, and 14 caught by the wicketkeeper.
For the next decade, he continued to open the bowling for Australia until he was 38. He took 26 wickets in the 1953 Ashes, famously yorking Len Hutton with the second ball at Leeds, and captured 7 for 63 at Madras in 1956–57, securing Australia's first Test win on the subcontinent.
Lindwall finished his career with 228 Test wickets at 23.03 and 1,502 runs at 21.15 with two centuries—the first genuine fast bowler to surpass 200 wickets in Test cricket. Many greats, including Denis Compton, Fred Trueman, and Len Hutton, rated him the best they ever saw. While he lacked the versatility of Dennis Lillee or the classical action of others, his movement, control, and strike rate for his era were exceptional. Sir Don Bradman selected him in his all-time XI, and 14 former cricketers included him in theirs. In my view, he ranks among the top five pace bowlers in history, a craftsman who transformed fast bowling into both an art and a devastating weapon of consistency.

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