Skip to main content

An elite Gandhi kutir set up by Modi far from the madding crowd

The Kutir: A cottage?
By Rajiv Shah 
Have you ever heard of a Gandhi museum, sough to be projected as the “largest” on the Mahatma, yet totally inaccessible, in sharp contrast to Ahmedabad’s humble, approachable and unassuming Gandhi Ashram on the banks of Sabarmati, set up by the Mahatma during the heydays of the freedom movement? It exists about 30 kilometres away, its idea was conceived by none other than a person who has today become even more inaccessible than he ever was: Narendra Modi, India's Prime Minister.
Visualized for an elite audience and set up in Gandhinagar, this museum, which was formally inaugurated by Modi in January 2015, is inaccessible to even residents of Gujarat's capital. Yet, it is called Dandi Kutir. Part of the sprawling Mahatma Mandir, where Modi has been interacting with India’s top tycoons every alternate year since 2011 through Vibrant Gujarat global summits, this so-called Kutir is anything but a cottage, symbolizing, if at all, Modi’s “vision” of the Mahatma.
Officially projected as “India’s largest and only museum built on the life and teachings” of Gandhiji, unlike Sabarmati Ashram, where anybody can visit to learn from Gandhi’s humble life, this so-called cottage can be seen only through a guided tour which, if the official source is be believed, would begin only as and when a batch of 50 people are collected at an interval of 30 minutes, all them forming part of a tour guide.
Unapproachable by any public transport, there have been cases when individual visitors, reaching the elite Kutir, had to return without gaining access to the museum after waiting for a couple of hours. Again, unlike Sabarmati Ashram, where the entry is free, this high-profile “cottage” charges Rs 10 per visitor from Indians and Rs 200 from foreigners.
The contrast is indeed conspicuous. The Gandhi Ashram's managers, at least till now, have done all they can to ensure that its space is made available to the man on the street to learn from the life of the Mahatma. Lately, it has begun using high technology, but that too for making people directly access, through internet, all that Gandhiji stood for.
In all about 25 lakh pages of life and work of Gandhiji and all those who came in contact with him have been digitized in a powerful Gandhi heritage portal. A project initiated by well-known Gandhi expert Tridip Suhrud, who worked as director of the Gandhi Ashram till last year, with this portal, any researcher or common Gandhi observer sitting anywhere in the world can access works by – and on – Gandhi.
The Kutir, on the other hand, is located in a 41-metre high conical dome, claimed to be symbolizing a salt heap, seeking to represent Salt Satyagraha at Dandi, which took place on ground, next to the sea shore in Dandhi, South Gujarat. The closed door museum in a 10,700 sq metres is cement-concrete jungle, which again stands in sharp contrast to the historic Dandi Bridge, off Sabarmati Ashram, from where the Mahatma began his Dandi march in Ahmedabad.
Modi with Japanese PM Shinzo Abe at the Kutir: September 2017
If the Dandi Bridge is neglected and uncared, the Dandi Kutir, proclaims an official source rather loudly, is where “high technology” has been used to allow visitors to enter “in the shoes (sic!) of the Mahatma to learn and experience the dilemmas, struggles and sacrifices he faced…”
And what these “dilemmas, struggles and sacrifices”? Introducing the Dandi Kutir, its official Facebook page says that the museum showcases Satyagraha, Sarvodaya and Swaraj – forgetting, perhaps deliberately, that the Mahatma used Satya and Ahimsa, or truth and non-violence, as the fundamental principles for an all-pervasive fight against a massive British empire, Hindu-Muslim divide, and the caste-ridden Indian society. One is left wondering: What does Modi, whose dubious role in 2002 riots is too well known, have in common with Ahimsa? As for his views on caste, in his now withdrawn book “Karmayog”, a collection of his speeches delivered to Gujarat babus, he said manual scavengers experienced “spiritual satisfaction” while doing the cleaning job!
That the Kutir has nothing to emphasize on Gandhi’s emphasis on sarva dharma sambhav is not surprising. In fact, this reflects Modi’s mindset, which remains intact to this date. During an informal chat with a group of local scribes in Gandhinagar, Modi, firmly in the saddle after taking over reins of power in October 2001, when Gujarat riots hadn’t yet taken place, a discussion ensued on Hindu-Muslim relations.
Modi seemed unimpressed when a question was asked to him as to what did he have to say about communal segregation in Ahmedabad, and wasn’t it dangerous that Hindus and Muslims didn’t have any interaction, especially after post-Babri 1993 riots, as they didn’t know each other, breed an atmosphere of suspicion. He answered back, “What’s so unusual about it? Don’t Catholics and Protestants live separately in Northern Ireland? They have separate life styles and values. Community living is an international phenomenon, and one should recognize it as such.”
Seventeen years later, this segregation – an antidote of what all Gandhi stood for – has only further solidified. If it was confined to Ahmedabad till the 2002 riots, it has geographically spread to rural Gujarat. A case in point it the North Gujarat village of Sardarpura, where 33 persons were killed in 2002. It has left deep scars that haven’t yet been healed. If all Muslims living in the village were forced to flee, one smaller section, the relatively better off, has returned. The poor still live in a separate ghetto of riot victims, which has emerged post-riots, tens of kilometers away. Things are no different with many other parts of rural Gujarat, where the riots had broken out. Following indiscriminate lynching incidents, this poison of segregation is invading across India.
Yoga celebration outside main gates of the Kutir: June 2018
Meanwhile, keen visitors to Ahmedabad have lately noticed that, after he became Prime Minister, there have been efforts to “Modi-fy” the Sabarmati Ashram as well. An ashram insider ruefully pointed to this Counterview on how a plate saying Jawaharlal Nehru planted a now-grown-up tree, originally put on the main gate of the ashram, has been pushed to the corner, so that no one could see it any more. This insider, always in a simple khadi kurta pyjama, further takes objection to a Modi propaganda placard put up on the entrance of the museum block of the Gandhi Ashram – a huge Modi’s Swacchata Abhiyan poster.
This is what a senior journalist, visiting Gandhi Ashram, noticed: On display in the ashram are expensive looking panels singing paeans to Modi in the guise of lavishing praise on his government’s trademark programmes which, according to him, have fetched little by way of positive result for the country. The professionally-mounted rare photographs on Gandhi’s life with appropriate annotations in a series of rooms leads one to an open verandah, where Modi panels are displayed. 
There is reason to wonder: Who allowed this? Is it an effort to send the message that the work being done by Modi is a natural extension of the Mahatma’s experiments with truth?

Update: Kutir closed on Gandhi Jayanti, photography prohibited inside

Senior photo journalist Kevin Antao, based in Gandhinagar, reports: When the nation was celebrating the 150 birthday of the Father of the Nation, the Dandi Kutir was officially closed to the general public. I had taken the photographs of the notice put up at the main entrance. I am attaching one of the photographs, published in the Times of India Ahmedabad.  
Secondly, at both the Ashrams of Gandhiji in Ahmedabad, people are allowed to photograph inside the ashram and even outside. Why are restrictions on photography placed at the Kutir? You have a lot of college students busy using their mobile phones to click stupid photos or selfies. 
 
---
A version of this article has appeared in National Herald 

Comments

TRENDING

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Kolkata dialogue flags policy and finance deficit in wetland sustainability

By A Representative   Wetlands were the focus of India–Germany climate talks in Kolkata, where experts from government, business, and civil society stressed both their ecological importance and the urgent need for stronger conservation frameworks. 

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

Maoist activity in India: Weakening structures, 'shifts' in leadership, strategy and ideology

By Harsh Thakor*  Recent statements by government representatives have suggested that Maoism in India has been effectively eliminated, citing the weakening of central leadership and intensified security operations. These claims follow sustained counterinsurgency efforts across key regions, including central and eastern India. However, available information from security agencies and independent observers indicates that while the organizational structure of the CPI (Maoist) has been significantly disrupted, elements of the movement remain active. Reports acknowledge the continued presence of cadres in certain forested regions such as Bastar and parts of Dandakaranya, alongside smaller, decentralized units adapting their operational strategies.

46% own nothing, 1% own 18%: The truth about India’s land inequality

By Vikas Meshram *  “Agriculture is the backbone of India” — this is what we have been hearing for generations. But there is a pain hollowing out this backbone from within: the unequal distribution of land. On one hand, news of farmer suicides, indebtedness, and rural migration keeps coming; on the other, agricultural land across the country continues to concentrate in the hands of a few wealthy individuals.

From Manesar to Noida: Workers take to streets for bread, media looks away

By Sunil Kumar*   Across several states in India, a workers’ movement is gathering momentum. This is not a movement born of luxury or ambition, nor a demand for power-sharing within the state. At its core lies a stark and basic plea: the right to survive with dignity—adequate food, and wages sufficient to afford it.

US study links ultra-processed diets to preterm birth, sparks concern in India

By Jag Jivan   A growing body of scientific evidence linking ultra-processed food (UPF) consumption during pregnancy to adverse maternal and neonatal outcomes has sparked fresh concern among public health experts, with Indian nutrition advocates warning of serious implications for the country’s already strained maternal health landscape.

Midnight weeping: The sociology of tragic vision in Badri Narayan’s poetry

By Ravi Ranjan*  Badri Narayan, a distinguished Hindi poet and social scientist, occupies a unique position in contemporary Indian intellectual life by bridging the worlds of creative literature and critical social inquiry. His poetic journey began significantly with the 1993 collection 'Saca Sune Hue Kaï Dina Hue' (Truth Heard Many Days Ago). As a social historian and cultural anthropologist, Narayan pioneered a methodological shift away from elite archives toward the oral traditions and folk myths of marginalized communities. He eventually legitimized "folk-ethnography" as a rigorous academic discipline during his tenure as Director of the G.B. Pant Social Science Institute.