Skip to main content

Right to religion is a basic human right but it's forgotten there's corresponding right criticise religion

By Maryam Namazie*
East London mosque has filed a formal complaint regarding the Council of Ex-Muslims of Britain’s presence in Pride in London and stated that our placards, including “East London mosque incites murder of LGBT” were “inciting hatred against Muslims” and that the mosque had a “track record for challenging homophobia in East London”.
In fact, though, the very reason CEMB was at Pride was to combat hate and to highlight the 13 states under Islamic rule that kill gay men (14 if we include Daesh-held territories). We included placards on the East London mosque to bring attention to the fact that there are mosques here in Britain that promote the death penalty for homosexuality and apostasy.
As ex-Muslims, we are at risk from hate preachers that speak at some mosques and universities; our gay members are at an increased risk.
The East London Mosque has a long history of hosting hate preachers who incite against blasphemers, apostates and homosexuals so we felt naming and shaming them was very apt.
In our experience, whenever incitement to hate and violence has been exposed, it is explained away as mere “theology”. Here, too, the East London Mosque spokesperson says: “Yes, there might be theological topics dealing with homosexuality in Islam, but that’s clearly very separate from promoting hatred and homophobia”.
We beg to differ.
Given the context of executions for homosexuality and apostasy in many countries and the threats, violence and shunning that ex-Muslims, including LGBT, face here in Britain, the hate preaching can be considered incitement to murder though it is ignored because it is done under the cover of the “right to religion”.
Moreover, the East London mosque is merely using double-speak. Their supposed “track record for challenging homophobia” only seems to extend to white gay men in East London and never to Muslim and ex-Muslim LGBT or LGBT persecuted outside of Britain in countries under Sharia.
This is because the mosque is part and parcel of the Islamist movement. The East London Mosque (and its affiliate, the London Muslim Centre) share the ideology of the Jamaat-e-Islami – the Salafis of South Asia so their promotion of an Islamist worldview that imposes the death penalty for homosexuality, apostasy and blasphemy is business as usual.
Why are we inciting hatred by exposing their incitement to murder?
And why is criticism of Islam off-limits?
Self-appointed “Muslim leaders” say our placards were “Islamophobic”. But in our point of view, Islam, like all religions, is homophobic. Why is it not possible to say this without accusations of Islamophobia?
The only reasons our signs are seen to be “provocative” are because criticism of Islam is deemed to be impermissible, because there is the constant threat of violence by Islamists against ex-Muslims but also dissenting Muslims and others in order to silence and censor, and because criticism of Islam and Islamism is erroneously conflated with an attack on Muslims.
Pride is full of placards saying “God is Gay”, “Jesus had two fathers”, as well as those mocking the church and priests and pope, yet CEMB members hold signs saying “Allah is Gay” – as we did – and the police converge to attempt to remove them for causing “offence”.
Offence has become the catch-phrase to impose de facto blasphemy and apostasy laws here in Britain. Yet aren’t we all offended at least some of the time? Some of us are offended by religion but we don’t ask believers to stay away from Pride or stop praying because of it. Why is it that what offends us is irrelevant? Because we do not back our offence with threats and violence?
The politics of offence is a politics that rewards bullies and blames victims.
Critics say our presence in Pride is a provocation in the weeks following the attack at Finsbury Park. But why must our criticism be linked to an attack on a mosque? Did anyone tell those holding “Jesus had two fathers” signs that it was a provocation given that a priest was murdered in Normandy and Christians killed in Egypt? There is no connection, except of course it seems when it comes to Islam.
Believers are not told to stop any expression of their beliefs because of an attack on children at a concert in Manchester but our placards apparently have some link with an attack on Muslims and a mosque. Why?
This is the Islamist narrative that equates criticism with an attack on Muslims. Its aim is not to stop bigotry but to silence dissent.
And by the way, bigotry affects us too. We were Muslims once; our loved ones are Muslims. And fascists and bigots cannot tell any of us apart anyway. We all look the same to them.
But as a minority within a minority facing serious threats to our lives, shunning, ostracisation, discrimination (and that’s only in Britain), is it fair to ask us to remain silent because of other forms of persecution or bigotry? Why can we not confront racism AND homophobia, bigotry AND hatred against apostates, women, blasphemers… To do that, we have to be able to criticise the far-Right (including our far-Right – the Islamists) and religion and regressive beliefs.
We ex-Muslims, including LGBT ex-Muslims, are fighting for our lives. We too have the right to live, think and love as we choose. And to fight for that right, we have to be able to confront apostasy and blasphemy laws as well laws that criminalise and execute apostates, LGBT, and freethinkers.
We owe it ourselves but we also owe it to those living under Islamic rules who are in prison, on death row or being murdered by vigilantes for doing just that.
The right to religion is a basic human right that must be defended but what is often forgotten is that there is a corresponding right to be free from and to criticise religion. As long as we can be killed for being ex-Muslims, LGBT, apostates and blasphemers, we have a duty to speak up – especially for those who cannot.
****
As an aside, the Pride spokesperson has s aid that the East London mosque’s complaint has been referred to the community advisory board to assess whether CEMB can join Pride next year and added: “While our parade has always been a home to protest, which often means conflicting points of view, Pride must always be a movement of acceptance, diversity and unity. We will not tolerate Islamophobia.”
A note to Pride: There were for sure some Muslims who were offended by our presence and others who supported us, as there were some Christians who were offended by placards poking fun at Christianity and others who found them funny. This is what real diversity looks like. For too long, self-appointed Islamists feigning to represent the “Muslim community” have stifled dissent via threats and accusations of offence and Islamophobia. CEMB has fought for ten years now to bring real diversity into the debate, which is a matter of life and death for many of us.
Criticism of Islam or Islamism is not anti-Muslim bigotry just as criticism of Christianity or the DUP is not anti-Christian bigotry. CEMB plans to be at Pride next year and every year and hopes the community advisory board sides with dissenters and those fighting for LGBT rights and not those inciting hatred against Muslim and ex-Muslim LGBT.
---
*UK-based feminist

Comments

TRENDING

Manufacturing, services: India's low-skill, middle-skill labour remains underemployed

By Francis Kuriakose* The Indian economy was in a state of deceleration well before Covid-19 made its impact in early 2020. This can be inferred from the declining trends of four important macroeconomic variables that indicate the health of the economy in the last quarter of 2019.

The soundtrack of resistance: How 'Sada Sada Ya Nabi' is fueling the Iran war

​ By Syed Ali Mujtaba*  ​The Persian track “ Sada Sada Ya Nabi ye ” by Hossein Sotoodeh has taken the world by storm. This viral media has cut across linguistic barriers to achieve cult status, reaching over 10 million views. The electrifying music and passionate rendition by the Iranian singer have resonated across the globe, particularly as the high-intensity military conflict involving Iran entered its second month in March 2026.

Incarceration of Prof Saibaba 'revives' the question: What is crime, who is criminal?

By Kunal Pant* In 2016, a Supreme Court Judge asked the state of Maharashtra, “Do you want to extract a pound of flesh?” The statement was directed against the state for contesting the bail plea of Delhi University Professor GN Saibaba. Saibaba was arrested in 2014, a justification for which was to prevent him from committing what the police called “anti-national activities.”

Food security? Gujarat govt puts more than 5 lakh ration cards in the 'silent' category

By Pankti Jog* A new statistical report uploaded by the Gujarat government on the national food security portal shows that ensuring food security for the marginalized community is still not a priority of the state. The statistical report, uploaded on December 24, highlights many weaknesses in implementing the National Food Security Act (NFSA) in state.

Why Indo-Pak relations have been on 'knife’s edge' , hostilities may remain for long

By Utkarsh Bajpai*  The past few decades have seen strides being made in all aspects of life – from sticks and stones to weaponry. The extreme case of this phenomenon has been nuclear weapons. The menace caused by nuclear weapons in the past is unforgettable. Images of Hiroshima and Nagasaki from 1945 come to mind, after the United States dropped two atomic bombs on the cities.

Lata Mangeshkar, a Dalit from Devdasi family, 'refused to sing a song' about Ambedkar

By Pramod Ranjan*  An artist is known and respected for her art. But she is equally, or even more so known and respected for her social concerns. An artist's social concerns or in other words, her worldview, give a direction and purpose to her art. History remembers only such artists whose social concerns are deep, reasoned and of durable importance. Lata Mangeshkar (28 September 1929 – 6 February 2022) was a celebrated playback singer of the Hindi film industry. She was the uncrowned queen of Indian music for over seven decades. Her popularity was unmatched. Her songs were heard and admired not only in India but also in Pakistan, Bangladesh and many other South Asian countries. In this article, we will focus on her social concerns. Lata lived for 92 long years. Music ran in her blood. Her father also belonged to the world of music. Her two sisters, Asha Bhonsle and Usha Mangeshkar, are well-known singers. Lata might have been born in Indore but the blood of a famous Devdasi family...

'Batteries now cheap enough for solar to meet India's 90% demand': Expert quotes Ember study

By A Representative   Shankar Sharma, Power & Climate Policy Analyst, has urged India’s top policymakers to reconsider the financial and ecological implications of the country’s energy transition strategy in light of recent global developments. In a letter dated April 10, 2026, addressed to the Union Ministers of Finance, Power, New & Renewable Energy, Environment, Forest & Climate Change, and the Vice Chair of NITI Aayog, with a copy to the Prime Minister, Sharma highlighted concerns over India’s ambitious plans for coal gasification and the Prototype Fast Breeder Reactor (PFBR).

Beyond Lata: How Asha Bhosle redefined the female voice with her underrated versatility

By Vidya Bhushan Rawat*  The news of iconic Asha Bhosle’s ‘untimely’ demise has shocked music lovers across the country. Asha Tai was 92 years young. Normally, people celebrate a passing at this age, but Asha Bhosle—much like another legend, Dev Anand—never made us feel she was growing old. She was perhaps the most versatile artist in Bombay cinema. Hailing from a family devoted to music, Asha’s journey to success and fame was not easy. Her elder sister, Lata Mangeshkar, had already become the voice of women in cinema, and most contemporaries like Shamshad Begum, Suraiya, and Noor Jehan had slowly faded into oblivion. Frankly, there was no second or third to Lata Mangeshkar; she became the first—and perhaps the only—choice for music directors and all those who mattered in filmmaking. Asha started her musical journey at age 10 with a Marathi film, but her first break in Hindustani cinema came with the film "Chunariya" (1948). Though she was not the first choice of ...

50 years of the Port of Spain miracle: The chase that redefined Indian cricket

By Harsh Thakor*  Fifty years ago, India turned the tide to rewrite cricket history, rising from the depths of despair to a moment of enduring glory. Queen’s Park Oval in Port of Spain, Trinidad, is celebrated among cricket grounds for its poetic beauty. For India, it became a theatre of historic triumph. In 1976, it showed the cricketing world what it was made of.