Skip to main content

Ahmedabad’s acropolis hosts students’ creative tribute to shared cultural identity

By A Representative 
On April 18, World Heritage Day, Sarkhej Roza in Ahmedabad once again came alive with the energy and creativity of children. Nearly 100 students from Gul International School, Safal School, and Gulshan-e-Maher School participated under the theme “Apni Dharohar, Apni Pehchaan” (Our Heritage, Our Identity). Through their paintings, the children sought not only to depict buildings but also to reconnect with their cultural roots. 
The event was organized in collaboration with Saanjhi Virasat and the Archaeological Survey of India, with speakers including Bhavna Ramrakhiani of Saanjhi Virasat, Shubho Majumdar of ASI, historian Rizwan Kadri, Dr. Utpala Desai of Intact Gujarat, Abrar Ali Saiyed, President of the Sarkhej Roza Committee, and trustee Rafiq Kotharia. 
They shared insights into the monument’s history and significance, fostering awareness among the younger generation about their heritage.
Sarkhej Roza, located in Makarba on the outskirts of Ahmedabad, is one of the most prominent architectural complexes of the Gujarat Sultanate period
Built between 1445 and 1451 CE during the reign of Sultan Mahmud Begada by architects Azam and Muazzam Khan, it is often described as “Ahmedabad’s Acropolis” because of its scale and grandeur. 
The complex spans 34 acres and includes mosques, tombs, palaces, and a large tank. It is particularly notable for housing the tomb of Shaikh Ahmed Khattu Ganj Baksh, a revered Sufi saint whose influence was central to the founding of Ahmedabad city. 
Architecturally, Sarkhej Roza represents an early Indo-Saracenic style, blending Islamic geometric design with Hindu and Jain craftsmanship, a synthesis that predates Mughal architecture. 
Its trabeated system, jharokhas, traceries, and integration of light into prayer halls exemplify this fusion. Recognized as a Monument of National Importance by the Archaeological Survey of India, Sarkhej Roza is both a historic and archaeological landmark.
The World Heritage Day program highlighted that heritage is not confined to stone structures but lives on in emotions, creativity, and identity. 
The children’s paintings reflected culture, history, and a sense of belonging, ensuring that Sarkhej Roza continues to inspire future generations as a living symbol of India’s composite heritage.

Comments

TRENDING

Neville Cardus: The man who turned cricket writing into poetry

By Harsh Thakor*  Neville Cardus was one of the most remarkable literary figures of the twentieth century. A prolific English writer and critic, he achieved distinction in two vastly different fields: cricket and classical music. Entirely self-taught, Cardus rose from humble beginnings to become both the cricket correspondent and chief music critic of The Manchester Guardian . His achievements in these contrasting disciplines earned him widespread acclaim and established him as one of the foremost critics of his generation. In February 2025, the cricketing and literary world marked the fiftieth anniversary of his death, which occurred in February 1975.

The politics of dreaming: Savita Singh's feminist imagination

By Ravi Ranjan*  In contemporary Hindi poetry, few voices have explored the philosophical and creative possibilities of women's experience as powerfully as Savita Singh. Across collections such as "Svapna Samay" (Dream Time), Aapne Jaisa Jeevan, and "Prem Bhi Ek Yatana" Hai, she has developed a poetic world in which woman is not merely a subject of suffering or social commentary but a creator of knowledge, meaning, and alternative realities.

Swami Vivekananda's views on caste and sexuality were 'painfully' regressive

By Bhaskar Sur* Swami Vivekananda now belongs more to the modern Hindu mythology than reality. It makes a daunting job to discover the real human being who knew unemployment, humiliation of losing a teaching job for 'incompetence', longed in vain for the bliss of a happy conjugal life only to suffer the consequent frustration.