Skip to main content

Folk singer Mukund Nayak on Adivasi identity, jal-jungle-zameen, untouchability issues

Mukund Nayak has been a prominent cultural voice in Jharkhand, who has staged live performances worldwide as well as in India. He was awarded with Padmashree by the Government of India several years ago. Sharing his video conversation which took place about three years ago, Vidya Bhushan Rawat, a human rights defender says, the prominent folk singer, songwriter and dancer talks about Jharkhand's Adivasi identity, issues of jal-jungle-zameen (water-forests-land), impact of the outsiders’ onslaught on Jharkhand, caste and untouchability issues.
Born in in Bokba village of Simdega district, Bihar (now Jharkhand) in 1949, Nayak is also recipient of the Padma Shri and Sangeet Natak Akademi Award. He belongs to a family of Ghasi community, who are traditionally musicians.
With aim to preserve traditional folk arts, Nayak had started performing songs in public places with other cultural activist like Bharat Nayak, Bhavya Nayak, Praful Kumar Rai, Lal Ranvir Nath Shahdeo and Kshitij Kumar. In 1974, he joined Akashvani as performer. His first performance at larger audience was at Jaganathpur Mela in Ranchi. 
In 1980, when regional and tribal language department formed in Ranchi University, he became associated with the University. In 1981, he came in contact with Dr Carol Merry Baby researcher on Karam music of South Bihar and got a chance to work with her.
In 1988, his troupe performed at the third Hong Kong International Dance festival of the Hong Kong Institute for the Promotion of Chinese Culture. In 1985, he established an organisation "Kunjban" to promote Nagpuri culture. Kunjban promotes Nagpuri culture, especially Nagpuri Jhumar. 
The video conversation:

Comments

TRENDING

Neville Cardus: The man who turned cricket writing into poetry

By Harsh Thakor*  Neville Cardus was one of the most remarkable literary figures of the twentieth century. A prolific English writer and critic, he achieved distinction in two vastly different fields: cricket and classical music. Entirely self-taught, Cardus rose from humble beginnings to become both the cricket correspondent and chief music critic of The Manchester Guardian . His achievements in these contrasting disciplines earned him widespread acclaim and established him as one of the foremost critics of his generation. In February 2025, the cricketing and literary world marked the fiftieth anniversary of his death, which occurred in February 1975.

​Ideological shifts and structural realities within India's left-wing insurgency

​By Harsh Thakor*  The Maoist insurgency in India is arguably at its weakest point since the formation of the Communist Party of India (Maoist) in 2004. Years of sustained counterinsurgency operations, leadership losses, shrinking territorial influence, declining recruitment, and growing technological advantages enjoyed by the state have significantly eroded the movement's operational capabilities. 

The Dalit body on screen: Stereotypes, sacrifice, and subjugation in Hindi films

By Dr. Prem Singh*  Despite centuries of reformist efforts, from Gandhi and Ambedkar to contemporary activists, the caste system remains deeply embedded in the Indian psyche. One of the primary reasons for this persistence is the religious sanction provided by Brahminical scriptures, which have shaped not only social structures but also cultural and artistic expressions.